Post pobrano z: Orange Label
Archiwum miesiąca: maj 2009
Ryan Keiser
Post pobrano z: Ryan Keiser
Not so fresh / Pas si frais
Post pobrano z: Not so fresh / Pas si frais
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| THE ORIGINAL? Ziploc bags – 2003 Source : Cannes Archive Online Agency : IDB/FCB, Santiago (Chile) |
LESS ORIGINAL : Glad Wrap “Keep it fresh” – 2009 Source : Adsoftheworld Agency : DDB (South Africa) |
| On ne sait pas si l’idée originale a été enfermée dans un sac congélation, mais elle a été très bien conservée! (Un exemple paru d’abord dans CB News magazine N°1015) |
John Malloy
Lightweight Modal Window Script: TinyBox
Post pobrano z: Lightweight Modal Window Script: TinyBox
TinyBox is a lightweight (3.5kb) modal window script that does not depend on any JavaScript frameworks.
It can display any Ajax or HTML content (from text to videos). Also, if enabled, the modal boxes fade in/out & dynamically resize based on the loaded content.
With the auto-hide support, the script can be used to show notifications. It is called & configured within one line, like:
TINY.box.show('advanced.html',1,300,150,1,3)
where all the settings can be mentioned easily. For a demo of TinyBox, click here.
Special Downloads:
Free Admin Template For Web Applications
jQuery Dynamic Drag’n Drop
ScheduledTweets
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Tags: Javascript, Popup
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Dial Hand Sanitizer: Park, Office, Car
Post pobrano z: Dial Hand Sanitizer: Park, Office, Car
Advertising Agency: TBWA\RAAD, Dubai, UAE
Executive Creative Director: Milos Ilic
Art Director: Mohanad Shuraideh, Bassam Doss
Copywriter: Bassam Doss, Mohanad Shuraideh
Photographer: Lai, Groovy Studio
Adobe CS4: Le Sens Propre
Post pobrano z: Adobe CS4: Le Sens Propre
Advertising Agency: Goodby, Silverstein & Partners, San Francisco, USA
Creative Director: Keith Anderson
Associate Creative Director: Tony Stern
Associate Creative Director: Frank Aldorf
Art director: Jon Willard
Copywriter: Jesse Gazzuolo
Broadcast Producer: Brian Coate
Production Company: Blacklist, New York
Director & Writer: Cisma
Executive Producers: Aaron Kisner, Adina Sales
Producer: Cassie Hamilton
Live Action Production Services: Margarida Flores E Filmes, São Paulo
Executive Producers: Paulo Schmidt, Fabiano Beraldo
Production Coordinators: Ingrid Raszl, Thais Freire
Production Director: Adriano Gobbi
Director of Photography: Pierre de Kerchove
First AD: Janie Paula
Second AD: Livia Duclerc
Casting: Flavia Cocozza
Stylist: Daniel Ueda
Wardrobe Assistants: Rita Lazzarotti, Kali Leuzzi
Production Designer/On Set Art Director/Scenography: Olivia Helena Sanches
Art Assistants: Amanda de Freitas Coelho, Ana Elisa Arietti
Set Technicians: Santana Cenários, Lindolfo de Jesus Santana, Jose Fernandes Dos Santos
Props: Sergio Heineck, Juliana Matsuki
Props Assistant: Mariana Herman
Props (toys): Verônica de Oliveira Kehl
Storyboard Artist: Renato Blaschi
Location Scout: Alexandre Rocha
Stager: Helio Villela Nunes
Stop Motion Animation: Animatorio, São Paulo
Post Production: Illegal FX, São Paulo
Post Production Coordinator: Francisco Ruiz
Editor (Premiere): Marcio Soares
Colorist: Daniel Dias
AE Compositors: Daniel Dias, Pedro Gebara, Guilherme Correa, Luis Costa
AE Rotoscoping: Rogerio Merlino, Marcelo Martins, Marcio Martins, Diego Rock
Music & Sound Design: Paulo Beto
Mix: Joe Ramos, Big Joe Sound, Santa Monica
International Society for Human Rights: Mouse
Post pobrano z: International Society for Human Rights: Mouse
Advertising Agency: Ogilvy, Frankfurt, Germany
view more subjects on ibelieveinadv.com
Source: Fil
Whiskas: Liver
Post pobrano z: Whiskas: Liver
Advertising Agency: Graffiti BBDO, Bucharest, Romania
Copywriter: Mihai Gongu
Art Director: Cristina Panaitescu
The Puppet Show
Post pobrano z: The Puppet Show
How can we forget the scent of dolls? A smell of plastic mixed with vanilla, with an after-taste of Roberts talcum powder, that enchanted you at the first encounter. You felt you could eat them.
Their names were Sissy, Corolle, Dennis and Stellina. There they were in the play-room, you pressed a button and like magic some sang, some walked and others did a pee. They had blue or brown eyes, with those mechanical eyelids that closed when you laid them down. But sometimes they stuck and the eyes stayed open even when they slept. Now, years later, you find the same faces here. They look at you with the same big eyes. They talk, laugh, dance and joke⦠like children. Because thatâs what they are. Children we ask too much of, to be perfect, like dolls. Who speak at least two languages correctly, go to lessons in riding, dancing, swimming, judo, singing, fencing and athletics. Children who behave themselves at the table, who know when to speak and when not to.
And who donât whine too much. Children who have become sons and daughters of perfection, pretence and image, manipulated by the media and the social context and who are inevitably losing their naturalness. This is the Puppet Show, the new artistic project by the photographers Winkler+Noah: 30 portraits of children from two to eight years old, taken very naturally and transformed into dolls by a subtle play of retouching. An exhibit which becomes a starting point for reflection, sociological research and introspection, to better understand ourselves and the world around us. And to understand that the best present we can give to children is to let them be children.
www.puppet-show.net
www.winkler-noah.it
Awards:
– Luerzers Archive 200 Best Ad Photographers
– American Photography NY 24
– IPA Los Angeles
– Photography Master Cup London
Source: Fil