Post pobrano z: Computerlove Turns Insane
An era ends and a new begin. This week Computerlove celebrate the launch of its new version, codenamed Ubiq, by turning Cpluv.com into a strange piece of art during 360 hours (see trailer here).
The current site will be in maintenance during this time, then we will launch our new baby. Are we completly insane ? Some ubiquitous responses here and here.
Enjoy !
Post pobrano z: Computerlove Turns Insane
An era ends and a new begin. This week Computerlove celebrate the launch of its new version, codenamed Ubiq, by turning Cpluv.com into a strange piece of art during 360 hours (see trailer here).
The current site will be in maintenance during this time, then we will launch our new baby. Are we completly insane ? Some ubiquitous responses here and here.
Enjoy !
Post pobrano z: tomato
The Tomato creative agency was formed in 1991 by Steve Baker, Dirk Van Dooren, Karl Hyde, Richard Smith, Simon Taylor, John Warwicker and Graham Wood, who were joined by Jason Kedgley in 1997 and Michael Horsham in 1998.
Principally understood as a design group who work for many international clients including Sony, Nike, Levis, Coca-Cola and The Victoria & Albert Museum, Tomato also works across a range of fields ranging from film, branding, music, television and cinema commercials, to advertising, books, architecture and interactive media.
They have exhibited internationally and lecture and hold workshops widely. Since 1997, Tomato has been a consultant to the British Government on the creative industries. Out of this success, Tomato Films was formed in 1998 and is run by Jeremy Barrett.
Tomato Interactive was founded in 1999 by Tom Roope, Anthony Rodgers and Joel Baumann; former members of Antirom, who had strong creative relationships with Tomato. Their innovative design and inventive execution within existing interactive platforms is fused with a commitment to developing entirely new media solutions for clients including Ron Arad Associates, Selfridges, The Goethe-Institut and the group Underworld.
Tomato have more recently produced a website for New York architectural practice, fieldoperations.net, completed project work for Nokia and Adidas and Installation work for Salvatore Ferragamo.
Post pobrano z: tomato
The Tomato creative agency was formed in 1991 by Steve Baker, Dirk Van Dooren, Karl Hyde, Richard Smith, Simon Taylor, John Warwicker and Graham Wood, who were joined by Jason Kedgley in 1997 and Michael Horsham in 1998.
Principally understood as a design group who work for many international clients including Sony, Nike, Levis, Coca-Cola and The Victoria & Albert Museum, Tomato also works across a range of fields ranging from film, branding, music, television and cinema commercials, to advertising, books, architecture and interactive media.
They have exhibited internationally and lecture and hold workshops widely. Since 1997, Tomato has been a consultant to the British Government on the creative industries. Out of this success, Tomato Films was formed in 1998 and is run by Jeremy Barrett.
Tomato Interactive was founded in 1999 by Tom Roope, Anthony Rodgers and Joel Baumann; former members of Antirom, who had strong creative relationships with Tomato. Their innovative design and inventive execution within existing interactive platforms is fused with a commitment to developing entirely new media solutions for clients including Ron Arad Associates, Selfridges, The Goethe-Institut and the group Underworld.
Tomato have more recently produced a website for New York architectural practice, fieldoperations.net, completed project work for Nokia and Adidas and Installation work for Salvatore Ferragamo.
Post pobrano z: Tommaso Fiscaletti
Tommaso Fiscaletti is an italian photographer, born in Pesaro in 1981. He starts with photography when he was young.Graduated at Artistic High School in Pesaro, 1999/2000, he starts working as a photographerâs assistant. At first he primarily works with photo in theatre, still-life and portraits, but also cultivating personal researches. Starting from 2002 he gets to start also with reportage, mainly related to social themes. He travels all around East-Europe and also touches North-Africa. Nowadays his personal works are concentrated more on portrait, particularly facing themes such as human being and the relationship between human and nature. Heâs living now in Milan for a couple of years and working as adv photographer, working for important editorial units and advertising agency. In 2006 he wins an award set by ADCI (art directors club Italia) for a social ad. In 2007 he wins the Diesel Wall contest, for Torontoâs Wall. In 2009 he wins to get into the 15 people final list, for Adidas âCelebrate Originalityâ competition. Some of his works have been exposed in solo and collective exhibition in Pesaro, Bologna, Venice, Milan, London.
More works here
Source: Fil
Post pobrano z: Tommaso Fiscaletti
Tommaso Fiscaletti is an italian photographer, born in Pesaro in 1981. He starts with photography when he was young.Graduated at Artistic High School in Pesaro, 1999/2000, he starts working as a photographerâs assistant. At first he primarily works with photo in theatre, still-life and portraits, but also cultivating personal researches. Starting from 2002 he gets to start also with reportage, mainly related to social themes. He travels all around East-Europe and also touches North-Africa. Nowadays his personal works are concentrated more on portrait, particularly facing themes such as human being and the relationship between human and nature. Heâs living now in Milan for a couple of years and working as adv photographer, working for important editorial units and advertising agency. In 2006 he wins an award set by ADCI (art directors club Italia) for a social ad. In 2007 he wins the Diesel Wall contest, for Torontoâs Wall. In 2009 he wins to get into the 15 people final list, for Adidas âCelebrate Originalityâ competition. Some of his works have been exposed in solo and collective exhibition in Pesaro, Bologna, Venice, Milan, London.
More works here
Source: Fil
„The new collection launches to the theme of satellite. Users dive into a kinetic world of digital surveillance as they target and zoom-in on styles.”