Introducing Loose Leaf

Post pobrano z: Introducing Loose Leaf

Loose Leaf is a hybrid format of publication and limited edition print series. It exists in the form of a collection of unbound and large-format printed art works. Published twice a year, Loose Leaf intends to present images in a physical, livable form, a distinct departure from the online consumption of visual material that pervades our lives.

Each edition comes packaged ready to be installed, not stored. Leaves are hole-punched for placement on a wall with small pushpins. Its unbound format allows the viewer to edit, select, and reshuffle images on an ongoing basis.

Loose Leaf samples from a specific context, but introduces the new and unexpected. Every edition shifts and centers around a loose idea rather than a definitive theme.

Conceived and curated by San Francisco design studio Manual, Loose Leaf is a collaborative effort. Each edition features newly commissioned works by artists, designers, photographers, illustrators, and writers that have caught the attention of the studio.

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Sehsucht: Lamorghini 700 ~ Triumph

Post pobrano z: Sehsucht: Lamorghini 700 ~ Triumph

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Hamburg, Germany based Sehsucht’s latest car porn introduces Lamborghini’s new 700 PS bull power Aventador, shot in the Californian desert Coyote Dry Lakebed and directed by Ole Peters.
The new image film by Philipp und Keuntje and Sehsucht is a 3-minute special effect thunderstorm. “Triumph” was produced by Sehsucht Hamburg (live-action & VFX), directed by Ole Peters, and screened first at Shanghai motor Show on April 19, 2011. The 3-minute-film is part of Lamborghini’s worldwide launch campaign “A Relentless Force” to promote the Italian super sports car manufacturer’s most important product launch of eleven years. The film shows the new Lamborghini Aventador LP 700-4 fighting forces of nature such as violent earth quakes or a blinding sand storm. “Triumph” will be shown at many more motor shows around the world until the year 2016, as well as in 120 Lamborghini show rooms worldwide, on Lamborghini’s Website and YouTube Channel and iTunes podcast.

Watch on Vimeo.

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The world’s biggest gallery | JR, Evol, SAM3, Vhils

Post pobrano z: The world’s biggest gallery | JR, Evol, SAM3, Vhils
20110426_142504_worldsbiggest_canvas_1.jpgJR: Making social commentary arresting, beautiful and impressive is no mean feat. But France’s JR does just that, across a global canvas. His huge images are usually pasted onto the walls and roofs of buildings. This project showcasing female inhabitants of a Kenyan slum helped win the 2011 TED prize. Judges praised him for 'turning the world inside out’

www.tedprize.org/jr-2011-ted-prize-winner/

20110426_142615_worldsbiggest_canvas_2.jpgJR: continues his global street art installation, “28MM: WOMEN” campaign with a new residency in Delhi, India. He checks in with us from the ancient city this week with a sneek peek at his latest handiwork. Fresh off an epic run of installations in Cambodia and Kenya, JR will no doubt have claimed all of Delhi as his personal outdoor art gallery by the time this new stage of his grand global plan is complete.

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20110426_142737_worldsbiggest_canvas_4.jpgEvol: German artist Evol uses stencils to create miniature lifelike buildings from small pieces of urban furniture. Here, he has drawn tiny balconies and satellite dishes onto the side of an electrical box to turn it into a tiny skyscraper. His work is so precise that, when you’re glancing at photographs, it can often be hard to tell that you’re not looking at pictures of real buildings.

20110426_142808_worldsbiggest_canvas_5.jpgSAM3 reverse silhouette in Cartagena: This is a very cool piece of work by SAM3. It stands out firstly because it’s enormous, and secondly because it’s a reverse silhouette: the texture of the wall becomes like her skin. A few days later the building was torn down. It takes incredible vision to produce work on this scale.

20110426_142843_worldsbiggest_canvas_6.jpgVhils face: The powerful portraits produced by Vhils are made via subtraction rather than addition. This is a typical piece: a vast face chiselled from plaster on the side of a wall in his native Lisbon. He also etches with acid, and makes striking images by peeling billboards.

20110426_142908_worldsbiggest_canvas_7.jpgEvol: This cityscape was created by EVOL inside a deserted factory in Dresden in 2009. The concrete structures he decorated to produce the elaborate work are 'probably the former foundation of a huge boiler plant to derive soap from rendered beef fat,’ he says. 'Even 15 years after closing, it still smells nauseous.’

Nike+ and YesYesNo

Post pobrano z: Nike+ and YesYesNo

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20110426_142926_yesyesnoNikeBoxandShoes.jpgPotential Prefontaines aside, most who run would be hard-pressed to
find any grace or beauty in our daily jogs. And yet that’s exactly what
Nike+’s latest collaboration with interactive design firm YesYesNo
accomplishes. Over two stunningly beautiful days on Nike’s campus in
Beaverton, Oregon, YesYesNo collected data from several runs (mine
included), plotting them in a three-dimensional scale. The graphs
incorporated speed, distance and acceleration, but also color and
texture.

Nissan Leaf: Smokeboard

Post pobrano z: Nissan Leaf: Smokeboard

The auto show has over 1,000 of there. But only one 100% electric, zero-tailpipe Nissan Leaf. TBWA Chiat Day and Nissan have created a strategically placed, spectacular outdoor board directly outside the New York Auto Show. One side of the board has a working tailpipe that spews exhaust into the air and a headline that points to the 1000+ cars in the auto show that come with them. The other side points to the zero tailpipe, 100% electric Leaf further validating the vision of sustainable mobility that Nissan wants to offer customers around the world. (It’s important to note the exhaust is environmentally friendly. But the board still makes an poignant point about Nissan’s competitors).

Advertising Agency: TBWA\Chiat\Day, New York, USA
Chief Creative Officer: Rob Schwartz
Creative Director: Tito Melega
Associate Creative Director: John Figone, Garman Yip
Art Director: Kat Ford
Copywriter: Joe Hagel
Managing Director: Jon Castle
Account Director: Ben Muldrew, Bonnie Schwartz
Management Supervisor: Patrick Jones, Val Tyll
Account Supervisor: Liz Lefler
Assistant Account Executive: Kelly Glover, Colleen Toombs
Product Strategy Director: Joel Weeks
Business Managers: Jill Durand, Stephanie McCall and Robin Rossi
Art Producers: Anna Willman
Producer: Bob Daniels
Project Manager: Alice Pavilsko
Arthaus Retouching Producer: Eric Ortega
Arthaus Digital Artists: Rick Legorreta, Yin Ulmen
E-Graphics, Production Coordinator: Bob Hezlep
Studio Designers: Paul Russell, Riki Komachi
Copy Editors: Scott Roberts, Laurie Fisher


A Bookmarklet To Find Perfect Fallback Fonts – FFFFALLBACK

Post pobrano z: A Bookmarklet To Find Perfect Fallback Fonts – FFFFALLBACK

Advertise here with BSA

We are using new web fonts each day and need to pair them with standard fonts for a better use experience.

FFFFALLBACK is a bookmarklet which, once clicked, scans the web page, finds the web fonts used and creates an interface where you can easily try alternative fonts.

FFFFALLBACK Bookmarklet

It lets you to instantly toggle between the original and fallback outputs or can show them both so you can better decide if your web page will look ok when no web fonts are displayed.

The project is the result of a very nice article, Type study: Choosing fallback fonts, which will probably end up in "you sticking stronger to the bookmarklet" : ).

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