Post pobrano z: “Untitled”

Post pobrano z: “Untitled”

Post pobrano z: Chevrolet: How Can I Help?![]()
Online
Chevrolet
In Women’s Month, Publicis Salles Chemistri created a campaign for Chevrolet that encourages the public to thank for all the help they receive from the special women in their lives.
Advertising Agency:Publicis Salles Chemistri, Sao Paulo, Brazil
Creative Director:Hugo Rodrigues, Domenico Massareto, Luis Felipe Figueiredo
Art Director:Flávio Toscano
Copywriter:Rodolfo Monteiro
Photographer:Léo Kawabe
Head Of Art:Marie Julie Gerbauld
Accounting Mananger:Marcos Vinicio, Vinícius Zuñiga, Stefany Soria
Planning:Eduardo Lorenzi, Bibiana Lopez, Bruno Midea
Media:Miriam Shirley, Silvia Tajiki, Erica Cappellano, Marco Iadocico, Thais Marques
Traffic:Rose Ramalho
Rtv:Tato Bono, Dani Toda, Cayan Lobo
Producer:Trust Filmes
Film Director:Levi Riera
Finnisher:Leandro Torres
Sound Producer:Comando S
Client Approval:Renato Heiffig, Aline Aquilino
Post pobrano z: Text Effects with CSS (and a little contenteditable trick)
Mandy Michael has been creating some incredible text effects with just the power of CSS. She uses every trick in the book: gradients, transforms, pseudo elements, shadows, and clipping paths to name a few. They are all real web text too. Custom fonts typically, but no images, canvas, or SVG or anything like that.
Take a look at this beautiful effect:
See the Pen CSS only 3D paper fold text effect by Mandy Michael (@mandymichael) on CodePen.
The fact that it is real text makes it accessible, searchable, and of course, selectable:

Demos are an awesome place to use the contenteditable attribute, which turns any text element into sort of like a textarea or input, in that then anyone can click right into it and change the text.
<h1 contenteditable>Cool Title</h1>
But because many of Mandy’s demos use pseudo elements with text that needs to match the text in the element itself, the text can get out-of-sync:

Never fear! It’s just a few lines of JavaScript to keep those bits of text in sync:
var h1 = document.querySelector("h1");
h1.addEventListener("input", function() {
this.setAttribute("data-heading", this.innerText);
});
The input event is real handy, as it covers any change in an element’s value, even contenteditable elements. It has decent browser support, just no IE (Edge is fine). If you really needed this for IE, you could still get it done combining events like keyup, paste, and blur and stuff. But you probably don’t need to for a little thing like this.
Now we’re all good:

But before we go, let’s bask in more of Mandy’s creations:
See the Pen Lines and layered css text effects by Mandy Michael (@mandymichael) on CodePen.
See the Pen Stripy Rainbow Text Effect by Mandy Michael (@mandymichael) on CodePen.
See the Pen Single element, multi coloured 3d text effect by Mandy Michael (@mandymichael) on CodePen.
See the Pen Split fractured text by Mandy Michael (@mandymichael) on CodePen.
Text Effects with CSS (and a little contenteditable trick) is a post from CSS-Tricks
Post pobrano z: Zeroing the Desk
Brendan Dawes:
After a recording session on one of those large mixing desks, after you’ve twiddled countless knobs and push around many faders you do something called zeroing the desk. This is were you turn every control and push every fader back to zero, so that when the next engineer comes in he or she isn’t going to jump out of their seat when a large sub-bass whacks them straight in the face and possibly blows something up. It’s a polite thing to do for your fellow sound engineer.
Reminds me of all: unset; 😉
(via Brad Frost)
Direct Link to Article — Permalink
Zeroing the Desk is a post from CSS-Tricks
Post pobrano z: The Next Smashing Magazine
Congrats to the big team over there assembled to take on this major redesign process. Unlike our redesigns around here that are usually more like realignments with minor dev work and UX sprinkles each iteration, this was a ground-up rebuild for them. They migrated a bunch of different platforms all into one, a static-site based system with all front end APIs. It’s gotta feel good to pull all that stuff into one system. I remember when I used to have four different systems around here (WordPress, Forums (various), eCommerce (various), and some raw PHP stuff) and the good feeling it was to get it all yanked in under one WordPress roof.
Direct Link to Article — Permalink
The Next Smashing Magazine is a post from CSS-Tricks
Post pobrano z: INCA Routine Check for colorectal cancer
The French National Institute for Cancer (INCA; l’institut national du cancer) is running a film-noir themed commercial, Un Contrôle de Routine (Routine Check), as part of Mars Bleu, a month focused on colorectal cancer. Although colon cancer is the second most deadly cancer in France with 18,000 deaths a year, it goes largely unacknowledged. With a 1950s detective film style and clunky sound effects, the black and white and studio-shot film presents colorectal cancer as a serial killer hurrying through the night down a deserted road where seemingly nothing is able to stop him. That is, until a simple routine check puts an end to his flight. The Routine Check film encourages men and women over the age of 50 to go for a check-up, as if the cancer is detected, in 9 out of 10 cases it can be cured.
Because he works in the shadows
Because he knows how to lie low
Because nobody wants to hear about him
Colorectal cancer kills over 18,000 people per year
Whereas with a simple check up
9 out of 10 times, it’s curable.
Colorectal cancer. Detected in time, your life can be saved.
If you are 50 or over, talk to your doctor.
The Routine Control campaign was developed at Havas Paris by creative director Christophe Coffre, copywriter Mathieu Doligé, art director Céline Pottier, designer David Bersanetti, partner Lucie Munsch, board director Marine Biette, consultant Marie Fontan, design editor agency Mathieu Doligé, producer Amandine Winter, account manager Christine Meneux working with INCA communication director Carine Delrieu, adjunct communication director Muriel Papin, and communication project chief Lydia Dauzet.
Filming was shot by director Wilfrid Brimo via Henry de Czar with executive producers Jean-Luc Bergeron and Jean Ozannat, director of photography Daniel Voldheim, and line producer Gaëlle Delaporte.
Visual art and set design was done at Family Production by David Bersanetti.
Post production was done at Digital District by producer Sébastien Gros.
Music and sound design were produced at HRCLS by producer Benoît Dunaigre.
Post pobrano z: Red Rooster Coffee![]()
Post pobrano z: Mess Hall![]()
Post pobrano z: Le Farfalle Charleston![]()
Post pobrano z: Sebastian Graz![]()