Archiwum kategorii: Adv

5 Quick Ways to Enhance Portrait Photos

Post pobrano z: 5 Quick Ways to Enhance Portrait Photos

People nowadays snap a lot of portraits,
ranging from headshots to selfies, or even group photos. Considering how
popular portrait photography can be it is no surprise that most editors have
tools to enhance them – but PhotoWorks is particularly noteworthy.

Not only will PhotoWorks provide you with
numerous ways to enhance your portrait photos, but its tools are designed to be
extremely intuitive and user-friendly. With their help you’ll be able to
quickly touch up and improve your portraits as a professional would.

Automatically Balance the Color and Light

Many photos suffer from bad lighting that
makes them overexposed, underexposed or affects their colors. In PhotoWorks you
can fix that with a single click by using the auto enhancement module.

It is up to you whether you want to correct
the light or color balance, or both. Referring to the histogram will let you
check the tonal distribution and decide which option to use.

On top of that if you want you can fine
tune the adjustments further by using the manual settings to directly alter the
Exposure, Highlights, Shadows, Hue, Saturation, and more.

Remove Unwanted Glare

Glare is another common issue that can
affect your portraits and make the skin texture look greasy. Fortunately
learning how
to remove glare in PhotoWorks
is easy – and you’ll have several options
that you can use.

The easiest way to remove glare is with the
Remove Face Shine option in the Portrait Magic tool. It will get rid of the
glare on your portraits with a single click.

In some cases you can use other methods to
remove the glare however, such as adjusting the Highlights slider, using the
Adjustment Brush, or with the Clone Stamp. Each option is different, and
suffice to say you’ll be well-equipped to handle any type of glare you
encounter.

Fix Red-Eye Effects

If your camera flash was too close to the
subject, you’ll end up with portraits that have glowing red eyes – which is
what is known as the red-eye effect. That can be fixed quickly using
PhotoWorks’ specialized Red Eye Removal tool.

Once you select the tool you can use it to
paint over the red eyes in your portraits to fix them. For best results you
should adjust the size of the brush, and zoom in to the photo to make painting
over the affected area easier.

Whiten Yellow or Stained Teeth

Yellow or stained teeth can make your
subjects look older and make smiles look less attractive. However it is easy
enough to whiten teeth in your portraits using the specialized preset in
PhotoWorks’ Portrait Magic feature.

Not only will the whiten teeth preset help
you to make smiles look more radiant and give your subject a set of pearly
whites, but you’ll get to control how much you want to whiten the teeth using a
simple slider.

Conceal Skin Imperfections

Removing small skin imperfections can be
tricky, and over-editing can make your skin look unnatural. That being said if
you want a quick way to conceal skin imperfections such as acne, wrinkles,
scars, or even eye bags you can use the Healing Brush in PhotoWorks.

As a smart editing tool the healing brush
will automatically identify the best area to sample and let you conceal any
skin imperfections by simply painting over them. It works best on small
imperfections, and you can adjust the brush size to allow for a more precise
selection.

The feather and opacity options can help
soften the edges of the mask that is applied to make it blend in more
naturally.

Conclusion

Overall you should be starting to see how easy it will be to enhance your portrait photos and make them look their best using PhotoWorks. Most of the tools require just a single click or a few simple adjustments using convenient sliders to apply them to your photos.

To be perfectly honest the features described above are just a small selection of the full scope of PhotoWorks’ tools. As you explore its features, you’ll see that there isn’t much that it can’t do, and it will let you really come up with portraits that look like they’ve been snapped in a professional studio.

Featured image by Simon Wijers

5 Quick Ways to Enhance Portrait Photos

Post pobrano z: 5 Quick Ways to Enhance Portrait Photos

People nowadays snap a lot of portraits,
ranging from headshots to selfies, or even group photos. Considering how
popular portrait photography can be it is no surprise that most editors have
tools to enhance them – but PhotoWorks is particularly noteworthy.

Not only will PhotoWorks provide you with
numerous ways to enhance your portrait photos, but its tools are designed to be
extremely intuitive and user-friendly. With their help you’ll be able to
quickly touch up and improve your portraits as a professional would.

Automatically Balance the Color and Light

Many photos suffer from bad lighting that
makes them overexposed, underexposed or affects their colors. In PhotoWorks you
can fix that with a single click by using the auto enhancement module.

It is up to you whether you want to correct
the light or color balance, or both. Referring to the histogram will let you
check the tonal distribution and decide which option to use.

On top of that if you want you can fine
tune the adjustments further by using the manual settings to directly alter the
Exposure, Highlights, Shadows, Hue, Saturation, and more.

Remove Unwanted Glare

Glare is another common issue that can
affect your portraits and make the skin texture look greasy. Fortunately
learning how
to remove glare in PhotoWorks
is easy – and you’ll have several options
that you can use.

The easiest way to remove glare is with the
Remove Face Shine option in the Portrait Magic tool. It will get rid of the
glare on your portraits with a single click.

In some cases you can use other methods to
remove the glare however, such as adjusting the Highlights slider, using the
Adjustment Brush, or with the Clone Stamp. Each option is different, and
suffice to say you’ll be well-equipped to handle any type of glare you
encounter.

Fix Red-Eye Effects

If your camera flash was too close to the
subject, you’ll end up with portraits that have glowing red eyes – which is
what is known as the red-eye effect. That can be fixed quickly using
PhotoWorks’ specialized Red Eye Removal tool.

Once you select the tool you can use it to
paint over the red eyes in your portraits to fix them. For best results you
should adjust the size of the brush, and zoom in to the photo to make painting
over the affected area easier.

Whiten Yellow or Stained Teeth

Yellow or stained teeth can make your
subjects look older and make smiles look less attractive. However it is easy
enough to whiten teeth in your portraits using the specialized preset in
PhotoWorks’ Portrait Magic feature.

Not only will the whiten teeth preset help
you to make smiles look more radiant and give your subject a set of pearly
whites, but you’ll get to control how much you want to whiten the teeth using a
simple slider.

Conceal Skin Imperfections

Removing small skin imperfections can be
tricky, and over-editing can make your skin look unnatural. That being said if
you want a quick way to conceal skin imperfections such as acne, wrinkles,
scars, or even eye bags you can use the Healing Brush in PhotoWorks.

As a smart editing tool the healing brush
will automatically identify the best area to sample and let you conceal any
skin imperfections by simply painting over them. It works best on small
imperfections, and you can adjust the brush size to allow for a more precise
selection.

The feather and opacity options can help
soften the edges of the mask that is applied to make it blend in more
naturally.

Conclusion

Overall you should be starting to see how easy it will be to enhance your portrait photos and make them look their best using PhotoWorks. Most of the tools require just a single click or a few simple adjustments using convenient sliders to apply them to your photos.

To be perfectly honest the features described above are just a small selection of the full scope of PhotoWorks’ tools. As you explore its features, you’ll see that there isn’t much that it can’t do, and it will let you really come up with portraits that look like they’ve been snapped in a professional studio.

Featured image by Simon Wijers

Jornal Metro: Captcha Against Fake News

Post pobrano z: Jornal Metro: Captcha Against Fake News
Online
Jornal Metro

Fake news has become a major issue worldwide. It’s capable of driving nations’ political paths and influencing elections. And to help fight this phenomenon, Brazilian agency Artplan and Metro Newspaper turned to technology.

We all know captcha, that tool designed to check if you are a robot. But, at Metro’s website, it was redesigned. Instead of selecting random images, the user must select which image has a piece of fake news. After the answer, a brief explanation with the true fact appears and the user can move on to comment. Every day, a different piece of fake news was shown, keeping readers up-to-date.

„Press vehicles have not only the responsibility of combating fake news, but of intelligently using their biggest asset, which is credibility”, says Cláudio Bianchini, Brazil’s Metro president. Zico Farina, Artplan’s creative director adds that “using technology is the best way to fight fake news. And being able to redesign a tool like captcha is a way to use the system at our favor.”

In order to use the tool, just access metrojornal.com.br e comment on any news.

 

Advertising Agency:Artplan, São Paulo, Brazil
Creation Management:Zico Farina, Marcos Abrucio
Creation:Ary Nogueira, Rafael Pascarella
Customer Relation Management:Luiz Villano
Production Management:Clariana Regiani
Rtvc:Karoline Justino e Patricia Oliva
Production:Bruno Werner
Customer Approval:Cláudio Bianchini e Luiz Rivoiro
Producer:Bossa Nova Films
Director of scene:Chico Gomes
Executive Producer:Eduardo Tibiriça e Sandra Othon
Assembly and Finish:Pluma, Sefora Rios (Versão português)
Production Coordination:Valquiria Pacheco
Customer Relation:Dani Harriz e Kiska Kaysel
Sound Production:Cabaret

Jornal Metro: Captcha Against Fake News

Post pobrano z: Jornal Metro: Captcha Against Fake News
Online
Jornal Metro

Fake news has become a major issue worldwide. It’s capable of driving nations’ political paths and influencing elections. And to help fight this phenomenon, Brazilian agency Artplan and Metro Newspaper turned to technology.

We all know captcha, that tool designed to check if you are a robot. But, at Metro’s website, it was redesigned. Instead of selecting random images, the user must select which image has a piece of fake news. After the answer, a brief explanation with the true fact appears and the user can move on to comment. Every day, a different piece of fake news was shown, keeping readers up-to-date.

„Press vehicles have not only the responsibility of combating fake news, but of intelligently using their biggest asset, which is credibility”, says Cláudio Bianchini, Brazil’s Metro president. Zico Farina, Artplan’s creative director adds that “using technology is the best way to fight fake news. And being able to redesign a tool like captcha is a way to use the system at our favor.”

In order to use the tool, just access metrojornal.com.br e comment on any news.

 

Advertising Agency:Artplan, São Paulo, Brazil
Creation Management:Zico Farina, Marcos Abrucio
Creation:Ary Nogueira, Rafael Pascarella
Customer Relation Management:Luiz Villano
Production Management:Clariana Regiani
Rtvc:Karoline Justino e Patricia Oliva
Production:Bruno Werner
Customer Approval:Cláudio Bianchini e Luiz Rivoiro
Producer:Bossa Nova Films
Director of scene:Chico Gomes
Executive Producer:Eduardo Tibiriça e Sandra Othon
Assembly and Finish:Pluma, Sefora Rios (Versão português)
Production Coordination:Valquiria Pacheco
Customer Relation:Dani Harriz e Kiska Kaysel
Sound Production:Cabaret

Jornal Metro: Captcha Against Fake News

Post pobrano z: Jornal Metro: Captcha Against Fake News
Online
Jornal Metro

Fake news has become a major issue worldwide. It’s capable of driving nations’ political paths and influencing elections. And to help fight this phenomenon, Brazilian agency Artplan and Metro Newspaper turned to technology.

We all know captcha, that tool designed to check if you are a robot. But, at Metro’s website, it was redesigned. Instead of selecting random images, the user must select which image has a piece of fake news. After the answer, a brief explanation with the true fact appears and the user can move on to comment. Every day, a different piece of fake news was shown, keeping readers up-to-date.

„Press vehicles have not only the responsibility of combating fake news, but of intelligently using their biggest asset, which is credibility”, says Cláudio Bianchini, Brazil’s Metro president. Zico Farina, Artplan’s creative director adds that “using technology is the best way to fight fake news. And being able to redesign a tool like captcha is a way to use the system at our favor.”

In order to use the tool, just access metrojornal.com.br e comment on any news.

 

Advertising Agency:Artplan, São Paulo, Brazil
Creation Management:Zico Farina, Marcos Abrucio
Creation:Ary Nogueira, Rafael Pascarella
Customer Relation Management:Luiz Villano
Production Management:Clariana Regiani
Rtvc:Karoline Justino e Patricia Oliva
Production:Bruno Werner
Customer Approval:Cláudio Bianchini e Luiz Rivoiro
Producer:Bossa Nova Films
Director of scene:Chico Gomes
Executive Producer:Eduardo Tibiriça e Sandra Othon
Assembly and Finish:Pluma, Sefora Rios (Versão português)
Production Coordination:Valquiria Pacheco
Customer Relation:Dani Harriz e Kiska Kaysel
Sound Production:Cabaret

Jornal Metro: Captcha Against Fake News

Post pobrano z: Jornal Metro: Captcha Against Fake News
Online
Jornal Metro

Fake news has become a major issue worldwide. It’s capable of driving nations’ political paths and influencing elections. And to help fight this phenomenon, Brazilian agency Artplan and Metro Newspaper turned to technology.

We all know captcha, that tool designed to check if you are a robot. But, at Metro’s website, it was redesigned. Instead of selecting random images, the user must select which image has a piece of fake news. After the answer, a brief explanation with the true fact appears and the user can move on to comment. Every day, a different piece of fake news was shown, keeping readers up-to-date.

„Press vehicles have not only the responsibility of combating fake news, but of intelligently using their biggest asset, which is credibility”, says Cláudio Bianchini, Brazil’s Metro president. Zico Farina, Artplan’s creative director adds that “using technology is the best way to fight fake news. And being able to redesign a tool like captcha is a way to use the system at our favor.”

In order to use the tool, just access metrojornal.com.br e comment on any news.

 

Advertising Agency:Artplan, São Paulo, Brazil
Creation Management:Zico Farina, Marcos Abrucio
Creation:Ary Nogueira, Rafael Pascarella
Customer Relation Management:Luiz Villano
Production Management:Clariana Regiani
Rtvc:Karoline Justino e Patricia Oliva
Production:Bruno Werner
Customer Approval:Cláudio Bianchini e Luiz Rivoiro
Producer:Bossa Nova Films
Director of scene:Chico Gomes
Executive Producer:Eduardo Tibiriça e Sandra Othon
Assembly and Finish:Pluma, Sefora Rios (Versão português)
Production Coordination:Valquiria Pacheco
Customer Relation:Dani Harriz e Kiska Kaysel
Sound Production:Cabaret

Jornal Metro: Captcha Against Fake News

Post pobrano z: Jornal Metro: Captcha Against Fake News
Online
Jornal Metro

Fake news has become a major issue worldwide. It’s capable of driving nations’ political paths and influencing elections. And to help fight this phenomenon, Brazilian agency Artplan and Metro Newspaper turned to technology.

We all know captcha, that tool designed to check if you are a robot. But, at Metro’s website, it was redesigned. Instead of selecting random images, the user must select which image has a piece of fake news. After the answer, a brief explanation with the true fact appears and the user can move on to comment. Every day, a different piece of fake news was shown, keeping readers up-to-date.

„Press vehicles have not only the responsibility of combating fake news, but of intelligently using their biggest asset, which is credibility”, says Cláudio Bianchini, Brazil’s Metro president. Zico Farina, Artplan’s creative director adds that “using technology is the best way to fight fake news. And being able to redesign a tool like captcha is a way to use the system at our favor.”

In order to use the tool, just access metrojornal.com.br e comment on any news.

 

Advertising Agency:Artplan, São Paulo, Brazil
Creation Management:Zico Farina, Marcos Abrucio
Creation:Ary Nogueira, Rafael Pascarella
Customer Relation Management:Luiz Villano
Production Management:Clariana Regiani
Rtvc:Karoline Justino e Patricia Oliva
Production:Bruno Werner
Customer Approval:Cláudio Bianchini e Luiz Rivoiro
Producer:Bossa Nova Films
Director of scene:Chico Gomes
Executive Producer:Eduardo Tibiriça e Sandra Othon
Assembly and Finish:Pluma, Sefora Rios (Versão português)
Production Coordination:Valquiria Pacheco
Customer Relation:Dani Harriz e Kiska Kaysel
Sound Production:Cabaret

Ab InBev Cristal Beer: Perussians

Post pobrano z: Ab InBev Cristal Beer: Perussians

PR, Integrated
Ab-Inbev

Advertising Agency:Houdini, Lima, Peru
Brand Director:Hernán Ugarte
Brand Manager:Fabrizio Escalante, Natalia Ferreyros
Brand Coordinator:Kiara Kottke, Eduardo Miro Quesada
Ceo:Sergio Terry
Executive Creative Director:Renato Farfán
Head Of Art:Alex Sanchez
Digital Creative Director:Martín Guillen
Art Director:Alberto Portugal, Frank Chara
Account Supervisor:Adriana Pastor
Account Executive:Ximena Carbajal
Copywriter:Gonzalo Pazos
Executive Producer:Celice Chicoma
Business inteligence Chief:Jorge Mamaní
Graphic Designer:Manuel Acosta

Ab InBev Cristal Beer: Perussians

Post pobrano z: Ab InBev Cristal Beer: Perussians

PR, Integrated
Ab-Inbev

Advertising Agency:Houdini, Lima, Peru
Brand Director:Hernán Ugarte
Brand Manager:Fabrizio Escalante, Natalia Ferreyros
Brand Coordinator:Kiara Kottke, Eduardo Miro Quesada
Ceo:Sergio Terry
Executive Creative Director:Renato Farfán
Head Of Art:Alex Sanchez
Digital Creative Director:Martín Guillen
Art Director:Alberto Portugal, Frank Chara
Account Supervisor:Adriana Pastor
Account Executive:Ximena Carbajal
Copywriter:Gonzalo Pazos
Executive Producer:Celice Chicoma
Business inteligence Chief:Jorge Mamaní
Graphic Designer:Manuel Acosta

Ab InBev Cristal Beer: Perussians

Post pobrano z: Ab InBev Cristal Beer: Perussians

PR, Integrated
Ab-Inbev

Advertising Agency:Houdini, Lima, Peru
Brand Director:Hernán Ugarte
Brand Manager:Fabrizio Escalante, Natalia Ferreyros
Brand Coordinator:Kiara Kottke, Eduardo Miro Quesada
Ceo:Sergio Terry
Executive Creative Director:Renato Farfán
Head Of Art:Alex Sanchez
Digital Creative Director:Martín Guillen
Art Director:Alberto Portugal, Frank Chara
Account Supervisor:Adriana Pastor
Account Executive:Ximena Carbajal
Copywriter:Gonzalo Pazos
Executive Producer:Celice Chicoma
Business inteligence Chief:Jorge Mamaní
Graphic Designer:Manuel Acosta