Andreas of Suprb has just launched a new portfolio together with some new work.
Suprb is the creative persona of Andreas Pihlström, who was born and raised in Stockholm, Sweden. Specializing in typography, concept, technology, art direction and graphic design, he has been responsible for user experience design, creative direction, and social network development for studios and agencies such as Universal Everything, North Kingdom and Syrup — for a wide-ranging client-base, including Toyota, MTV, BMW, Five, Sony, JCPenney and Disney to name but a few.
Post pobrano z: The Dying Art of Hand-Painted Ads A new documentary titled 'Up There’ takes a look at the dying art of hand-painted advertisements through the stories of a group of New York painters. Watching this, it got me thinking about the strange but symbiotic relationship between advertising and art.
Post pobrano z: One Got Fat The narrator in One Got Fat, the bizarre bicycle safety PSA
filmed in 1963, warns that danger lurks everywhere when the rules of
the road are ignored. As a lesson then, one by one, the bicycling monkeys learn the error
of their ways. It’s a strange but stylish video worth watching.
Post pobrano z: DJ Spooky and Chuck D Collaboration Chuck D and DJ Spooky have reworked the classic Public Enemy track “By The Time I Get To Arizona” (from the album Fear of a Black Planet) as a response to the state’s recent anti-immigrant law.
The core idea of BFI’s event for music and motion images the bridge between graphic arts, film images and motions as live performances within the narrative space of real time cinema.
The work of lightrhythm_currents 2010 are the artifacts of contemporary collective of a culture in art and cinema. The Currents have been circulating the planet from cities to galleries.
Dark Fibre is an audio visual event hosted by the BFI in London. British Film Institute aka BFI will be presenting and show case of vj Oli Sorenson, Unkle’s screen music video and Lightrhythm_currents 2010 screening.
Foyer Space performances – Free
9.30 PM start til late
Featuring
JAMES LAVELLE & PABLO CLEMENTS /// LIGHTRYTHM VISUALS /// MOX /// OLI SORENSON ///MOWGLI & SILVERIO FUNK
BFI Southbank, Belvedere Road, South Bank, Waterloo, London SE1 8XT
Box Office: +44 (0)20 7928 3232
Dark Fibre hotline: 077968 564 570
The AV Performance will be at South Bank BFI on May 7th.
Why does allrecipes.com in the potato gun sequence appear at
once, and not the text first and images second? And why does it appear
to render from bottom of the screen to the top?
Chrome sends the rendered page to the video card buffer all at
once, which is why allrecipes.com appears at once, and not with the
text first and images second. Chrome actually paints the page from top
to bottom, but to eliminate a shadow from the driver board, we had to
flip the monitor upside down and set the system preferences in Windows
to rotate everything 180 degrees, resulting in the page appearing to
render from bottom to top.
A new documentary titled 'Up There’ takes a look at the dying art of hand-painted advertisements through the stories of a group of New York painters. Watching this, it got me thinking about the strange but symbiotic relationship between advertising and art.
The narrator in One Got Fat, the bizarre bicycle safety PSA
Chuck D and DJ Spooky have reworked the classic Public Enemy track “By The Time I Get To Arizona” (from the album Fear of a Black Planet) as a response to the state’s recent anti-immigrant law.
