Archiwum kategorii: Partnerzy

Take Note – Life Story Love Story

Post pobrano z: Take Note – Life Story Love Story

Take Note Store, a pens and stationery store in Toronto, has released “Life Story Love Story”, an emotional short film timed to coincide with Valentines Day. The 4-minute short film tells the life-long story of a relationship between two people from the notes they leave each other. This love story is particularly poignant given the dominance of today’s digital communication. Texts, emails, and posts have largely replaced the role that handwritten letters, cards, and notes once served. The retailer which sells specialty pens and stationery from around the world is planning to support the video with promoted posts through the month of February.

Take Note Life Story Love Story

A study by Docmail found that one in three adults hasn’t had reason to hand write anything for six months. Many are quick to point out the downside of this change. Author Philip Hensher, in his Wall Street Journal article, ‘The Lost Art of the Handwritten Note,’ argues, “Email and text exchanges won’t be treasured in the way that my teenage letters, scribbled journals and postcards have been for years.”

Jolanta Petrycka, the owner of Take Note, has seen this shift first hand, but doesn’t believe that handwritten letters and notes are a thing of the past. “Most of our day to day communication now is very utilitarian. But still, there’s nothing like receiving a handwritten letter in the mail or a note from someone you love.”

That’s exactly what advertising agency, BBDO Toronto, set out to capture with this piece. “Leaving a note for someone is so much more personal and thoughtful than a text,” says Chris Booth, an associate creative director behind the work. “We wanted to remind people how meaningful such a simple thing can be.”

Take Note Life Story Love Story
Take Note Life Story Love Story
Take Note Life Story Love Story

Take Note Credits

The Take Note campaign was developed at BBDO Toronto by executive creative directors Denise Rossetto and Todd Mackie, associate creative directors Chris Booth and Joel Pylypiw, group account director Rebecca Flame, agency producer Beatrice Bodogh.

Filming was shot by director Chris Booth and Joel Pylypiw via Skin and Bones with director of photography Kris Belchevski and producer Chelsea Strachan.

Post production was produced at Saints Editorial and Alter Ego by online editor David Whiteson and offline editor Brian Williams, and colourist Tricia Hagoriles.

Sound design and music were produced at Imprint Music by Fraser MacDougall and Tim White.

Love Is Love

Post pobrano z: Love Is Love

From the release

This Valentine’s Day, Australian director Kyra Bartley invited celebrated artists, illustrators and animators from around the world to contribute to the creation of Love Is Love, a provocative and collaborative animation project celebrating the beauty of unconditional love. Stitched together, each artwork represents one frame of a chaotic animation loop showcasing inclusivity in all its forms.

The Love Is Love project will extend across social [media] to feature a contributing artist each week over the coming months.

You can follow #loveisloveanimation on Facebook or Instagram.

Credits

Concept & Direction: Kyra Bartley
Head of Production: Aborah Buick
Music by: Johnny Mackay

Contributing Artists

Natalia Navarra
Adriana Siciliano
Daniel Amdemichael
Dahlia Visconti
Ashutosh Tiwari
Brenon Conn
Han Van den Abbeele
Ashly Lovett
Andrew Holmes
Tash Jackson
Rob Byers
Lilly Miranda Perrott
Merike Hess
Nomi Chi
Evelyn Elizabeth
Scott Williams
Felicia Von Zombie
Simon Robson
Jeremy Carlen
Erik Svetoft
Jan van Dyk
JOR ROS
Ky Moodie
Lauren Ami
Max Brown
Izaak Kidd
Xaviera Lopez
Juppi Juppsen
Sonia Kretschmar
Alex Naughton
Lauren YS
Paul McNulty
Dom Aldis
Matt Canning
Preethi Nair
Sandy Cohen
Yelena Yafe
Karolina Czabaj
Max Prentis
Diane Shaher
Greg Constantaras
Nena Salobir
Leticia Monroe
Nelly Grusell
Russell Tate
Machomachi
Hayden King
Sophie Partridge
Marco Giacobbe
Joe Perkins
Enggarn Pujana
Jo Fong
Patu Phan
Paul Garland
Carla Uriate
Alexey Goncharov (Vaderiscool)
Shane Miranda
Alexandra (Pookie) Jones
Lachlan Phillips
Stef
Almo
Marta Zafra
Shaun Leong Williams
David Samuel Adams Pack
Mike Creighton
Tom Toro
James Gulliver Hancock
Paul Carpenter
James Boast
Carly Ealey
Chloe Tse
Nicolas Asaznarez
Mauricio Poveda
Amandalynn
Celia de Lago
RJ
Raquel Vitorelo
Eleena Bakerie
Ailie Banks
Lauren Esplin
Waiton Fong
Raul Saddo
Juan Andrés Castañeda
Jan Van Dijk
Xandria Sink
Edwina White
Ivan Lopez
Gerhard Human
Nicholas Forman
Tina Jiang
Kade Marsili
Mert Tugen
Hellotomato
Maggie Ivy
Nanami Cowdroy
Artbyisp (Izy Kali)
Chuong Vu
Jacqui Hudson
Lisa Mrchk
Kentaro Yoshida
Carla Uriate
Dave Homer
Hala Saad
Holger Gutknecht
Maisara Mazuin
Dirty Bandits
Sonya Han
Rimantas Pocius
Eddy Taylor
Ally Messer
Duncan Dix
Bethany Levy
Mike Williamson

Buick Not So Pee Wee Football

Post pobrano z: Buick Not So Pee Wee Football

Buick’s 2017 Super Bowl advertising campaign “Not So Pee Wee Football”, features NFL most valued player Cam Newton and supermodel Miranda Kerr alongside two teams of Pee Wee football players and their supporters. The Buick Not So Pee Wee Football spot takes place at a Pee Wee football game where two dads are in the stands watching their kids play. As a Buick Sport Red Cascada ST pulls into the parking lot, one of the men says, “Check out that Buick!” with delight. The other dad says, “If that’s a Buick, then my kid is Cam Newton.” The football game, of course, picks up with a new injection of muscle and experience. A Buick Encore SUV arrives toward the end of the commercial, with the coach of the “Sharks” saying, “If that’s a Buick, then I’m a supermodel.” He then turns into Kerr. The campaign, online at buick.com/biggame, is designed to reset expectations about Buick’s modern vehicles, particularly the Encore SUV and Cascada convertible and provokes viewers with its “That’s a Buick?” theme.

Buick Not So Pee Wee Football

“Buick is experiencing unprecedented sales success and consumer awareness backed by remarkable third-party quality and reliability validation,” said Duncan Aldred, vice president of Global Buick Sales, Service and Marketing. “Our latest vehicles like the Encore and Cascada belong in the spotlight on a global stage only the Super Bowl can offer.”

“Every time I take the field, I aim to shatter traditional expectations of the quarterback position,” said Newton. “Buick’s doing the same thing with this ad, and I think everyone watching will love it. It was so fun going back to the Pee Wee field with such great kids.”.

Buick Not So Pee Wee Football Credits

The Buick Not So Pee Wee Football campaign was developed at Engage M-1 / Leo Burnett Detroit, by creative directors Steve Glinski, Tim Thomas, Christopher Handyside, associate creative director/art director Stephen Kerry, associate creative director/copywriter Matt Perry, group account directors Brian McCallum and Yanlin Sun, director if integrated production Brian Dooley, executive producer Tom Hillebrand.

Filming was shot by director Erich Joiner via Tool of North America.

Editor was Paul Martinez at Arcade Edit with executive producer Crissy DeSimone, managing partner Damian Stevens, head of production Kirsten Thon-Webb, senior producer Rebecca Jameson and assistant editor Pete D’Andrea.

Visual effects were produced at Timber by creative directors Jonah Hall and Kevin Lau, executive producer Sabrina Elizondo, senior producer Megan Kennedy, lead Flame artist Christopher DeCristo, Flame artist Mark Loso, Flame assistant Austin Lewis, nuke artists Nick Hiegel, Eric Almeras, Robert Williams, Eduardo Anton. CG tracking was done at Match the Motion LLC by Matthew Merkovich. Rotoscoping was done at Rotomaker LLC. Colour was produced at Shed.

Sound was produced at Eleven Sound by sound designer and mixer Jeff Payne, executive producer Melissa Elston, assistant mixers Jordan Meltzer and AJ Murrillo.

Buick Not So Pee Wee Football

Post pobrano z: Buick Not So Pee Wee Football

Buick’s 2017 Super Bowl advertising campaign “Not So Pee Wee Football”, features NFL most valued player Cam Newton and supermodel Miranda Kerr alongside two teams of Pee Wee football players and their supporters. The Buick Not So Pee Wee Football spot takes place at a Pee Wee football game where two dads are in the stands watching their kids play. As a Buick Sport Red Cascada ST pulls into the parking lot, one of the men says, “Check out that Buick!” with delight. The other dad says, “If that’s a Buick, then my kid is Cam Newton.” The football game, of course, picks up with a new injection of muscle and experience. A Buick Encore SUV arrives toward the end of the commercial, with the coach of the “Sharks” saying, “If that’s a Buick, then I’m a supermodel.” He then turns into Kerr. The campaign, online at buick.com/biggame, is designed to reset expectations about Buick’s modern vehicles, particularly the Encore SUV and Cascada convertible and provokes viewers with its “That’s a Buick?” theme.

Buick Not So Pee Wee Football

“Buick is experiencing unprecedented sales success and consumer awareness backed by remarkable third-party quality and reliability validation,” said Duncan Aldred, vice president of Global Buick Sales, Service and Marketing. “Our latest vehicles like the Encore and Cascada belong in the spotlight on a global stage only the Super Bowl can offer.”

“Every time I take the field, I aim to shatter traditional expectations of the quarterback position,” said Newton. “Buick’s doing the same thing with this ad, and I think everyone watching will love it. It was so fun going back to the Pee Wee field with such great kids.”.

Buick Not So Pee Wee Football Credits

The Buick Not So Pee Wee Football campaign was developed at Engage M-1 / Leo Burnett Detroit, by creative directors Steve Glinski, Tim Thomas, Christopher Handyside, associate creative director/art director Stephen Kerry, associate creative director/copywriter Matt Perry, group account directors Brian McCallum and Yanlin Sun, director if integrated production Brian Dooley, executive producer Tom Hillebrand.

Filming was shot by director Erich Joiner via Tool of North America.

Editor was Paul Martinez at Arcade Edit with executive producer Crissy DeSimone, managing partner Damian Stevens, head of production Kirsten Thon-Webb, senior producer Rebecca Jameson and assistant editor Pete D’Andrea.

Visual effects were produced at Timber by creative directors Jonah Hall and Kevin Lau, executive producer Sabrina Elizondo, senior producer Megan Kennedy, lead Flame artist Christopher DeCristo, Flame artist Mark Loso, Flame assistant Austin Lewis, nuke artists Nick Hiegel, Eric Almeras, Robert Williams, Eduardo Anton. CG tracking was done at Match the Motion LLC by Matthew Merkovich. Rotoscoping was done at Rotomaker LLC. Colour was produced at Shed.

Sound was produced at Eleven Sound by sound designer and mixer Jeff Payne, executive producer Melissa Elston, assistant mixers Jordan Meltzer and AJ Murrillo.

84 Lumber Journey

Post pobrano z: 84 Lumber Journey

84 Lumber, a building materials supply company based in Pennsylvania, is using the Super Bowl to run a controversial television commercial featuring Mexican immigrants. A young girl travels with her mother on foot as they head towards the Mexico USA border. As they travel the girl collects red white and blue pieces of fabric. 84 Lumber’s Super Bowl spot is the launch of a national recruiting campaign for the company’s management training program. The 84 Lumber Journey campaign, online at journey84.com, is targeting males’ ages 20 to 29 that want to take control of their careers and embody the entrepreneurial spirit that runs rampant at 84 Lumber.

Viewing scene in 84 Lumber Journey commercial

Chief Creative Officer Rob Schapiro talks about the commercial.

Director Cole Webley speaks about the controversial 84 Lumber Super Bowl commercial.

“For 60 years, this has been a company defined by its people, entrepreneurs who see opportunity where others don’t,” said Maggie Hardy Magerko, 84 Lumber owner and president. “Our next 60 years will be no different. That’s why we’re casting a wider net; we want the world to know 84 Lumber is the place for people who don’t always fit nicely into a box.”

“Our industry is going through a period of extreme disruption,” Hardy Magerko continues. “And I’ve always preferred to be the one doing the disrupting, rather than the one being disrupted. But to do that, we need to hire and train people differently. We don’t need more people interested in doing the same thing that’s always been done. We need more people interested in creating their own path for themselves and for 84 Lumber.”

Carton in Twitter promotion for 84 Lumber Journey commercial
Fortune favours the brave - Twitter promotion for 84 Lumber Journey commercial
Take the journey - Twitter promotion for 84 Lumber Journey commercial
Some stories need to be told - Twitter promotion for 84 Lumber Journey commercial
No detail too small - Twitter promotion for 84 Lumber Journey commercial

84 Lumber Journey Credits

The 84 Lumber Journey campaign was developed at Brunner, Pittsburgh, by creative director Dave Vissat, chief creative officer Rob Schapiro, associate creative directors Derek Julin, Kevin Corfield, chief client officer Jeff Maggs, account director Lauren Tedesco, senior account manager Dana Lucas, associate broadcast director Kathy Baldauf, with Fixer Partners executive producers John Noble and Brad Powell.

Filming was shot by director Cole Webley via Sanctuary with director of photography Justin Brown, creative director Matt Wilson, line producer Christopher Cho, executive producer Preston Lee, heads of production Adam Litt, Leopoldo Luisetti, and production designer Christopher Lagunes.

Editor was Jeff Buchanan at Final Cut with executive producer Sarah Roebuck, producer Penny Ensley, head of production Jen Sienkwicz, assistant editor Geoff Hastings and cutting assistant Andre Castiglioni.

Visual effects were produced at Method Studios by executive producer Stuart Robinson, CG supervisor Boaz Livny, VFX supervisor Eliza Pelham Randall, Flame artists Stephen Morris and Jared Pollack, senior VFX producer Bennett Lieber.

Color was graded at Company 3 by colourist Tom Poole.

Sound was produced at Heard City by sound mixer Phil Loeb.

Music was produced Future Perfect by composer Victor Magro and producer Max Gosling.

84 Lumber Journey

Post pobrano z: 84 Lumber Journey

84 Lumber, a building materials supply company based in Pennsylvania, is using the Super Bowl to run a controversial television commercial featuring Mexican immigrants. A young girl travels with her mother on foot as they head towards the Mexico USA border. As they travel the girl collects red white and blue pieces of fabric. 84 Lumber’s Super Bowl spot is the launch of a national recruiting campaign for the company’s management training program. The 84 Lumber Journey campaign, online at journey84.com, is targeting males’ ages 20 to 29 that want to take control of their careers and embody the entrepreneurial spirit that runs rampant at 84 Lumber.

Viewing scene in 84 Lumber Journey commercial

Chief Creative Officer Rob Schapiro talks about the commercial.

Director Cole Webley speaks about the controversial 84 Lumber Super Bowl commercial.

“For 60 years, this has been a company defined by its people, entrepreneurs who see opportunity where others don’t,” said Maggie Hardy Magerko, 84 Lumber owner and president. “Our next 60 years will be no different. That’s why we’re casting a wider net; we want the world to know 84 Lumber is the place for people who don’t always fit nicely into a box.”

“Our industry is going through a period of extreme disruption,” Hardy Magerko continues. “And I’ve always preferred to be the one doing the disrupting, rather than the one being disrupted. But to do that, we need to hire and train people differently. We don’t need more people interested in doing the same thing that’s always been done. We need more people interested in creating their own path for themselves and for 84 Lumber.”

Carton in Twitter promotion for 84 Lumber Journey commercial
Fortune favours the brave - Twitter promotion for 84 Lumber Journey commercial
Take the journey - Twitter promotion for 84 Lumber Journey commercial
Some stories need to be told - Twitter promotion for 84 Lumber Journey commercial
No detail too small - Twitter promotion for 84 Lumber Journey commercial

84 Lumber Journey Credits

The 84 Lumber Journey campaign was developed at Brunner, Pittsburgh, by creative director Dave Vissat, chief creative officer Rob Schapiro, associate creative directors Derek Julin, Kevin Corfield, chief client officer Jeff Maggs, account director Lauren Tedesco, senior account manager Dana Lucas, associate broadcast director Kathy Baldauf, with Fixer Partners executive producers John Noble and Brad Powell.

Filming was shot by director Cole Webley via Sanctuary with director of photography Justin Brown, creative director Matt Wilson, line producer Christopher Cho, executive producer Preston Lee, heads of production Adam Litt, Leopoldo Luisetti, and production designer Christopher Lagunes.

Editor was Jeff Buchanan at Final Cut with executive producer Sarah Roebuck, producer Penny Ensley, head of production Jen Sienkwicz, assistant editor Geoff Hastings and cutting assistant Andre Castiglioni.

Visual effects were produced at Method Studios by executive producer Stuart Robinson, CG supervisor Boaz Livny, VFX supervisor Eliza Pelham Randall, Flame artists Stephen Morris and Jared Pollack, senior VFX producer Bennett Lieber.

Color was graded at Company 3 by colourist Tom Poole.

Sound was produced at Heard City by sound mixer Phil Loeb.

Music was produced Future Perfect by composer Victor Magro and producer Max Gosling.