Post pobrano z: Google Home App – Case Study

Post pobrano z: Google Home App – Case Study

Post pobrano z: NYC Textures

Post pobrano z: MTV Ident – Pleasure

Post pobrano z: 18 Best New Event Flyers for 2018
Get professional designs in less time! Check out these incredible flyer templates.
Make 2018 a year to remember! Kick off your festive celebrations with modern event flyers that are stunning and surreal.
Today we bring you another wonderful collection of design assets from Envato Market and Envato Elements. This selection includes awesome flyer designs featuring the latest trends in graphic design.
With choices ranging from awesome vintage-inspired templates to beautiful minimalist designs, you’ll be happy you went with these flyers. Take your events to the next level with these easy-to-use templates!
Need more help? Get custom flyer designs from our experts at Envato Studio.
New to design? Follow along with our experts with these helpful lessons:
Multipurpose designs give you room to take your flyers to the next level. This colorful event flyer and social media package is a surefire way to kick-start your online campaigns. Enjoy high-quality A4 and letter format designs, with additional templates for Facebook and Instagram.

Need
something fast yet simple? This brilliant minimalist flyer has just the
right balance of design and color. Use it for any jazz, club, or party
event and easily update the text with editable layers. Download it now
to try out the 100% vector design.

Everyone needs a fun night out every once in a while. Celebrate great music and even greater company with this music event flyer. Used to promote your music event, this flyer comes with a print-ready file that is easy to edit. It’s available in both Photoshop and Illustrator formats.

Stand out from all the other DJs in town. This fun flyer package features A3 sized posters with four color variations. Replace the main image with one of your own and match the colors to your brand. Give it a try!

Did someone say house party? Invite your friends, family, and favorite Photoshop instructor to the party of the century with this awesome 80s-inspired design. Made to look like a blast from the past, this trendy design is nostalgic and fun. You’ll love this template!

Get an entire promotional kit with this great deal! Packed with loads of awesome resources, this kit includes two print-ready Photoshop flyers, a Facebook cover, and optional Instagram banner. Easily arrange your content with editable layers and text. Try it out!

Indie rock fans unite! We’ve got a wicked flyer ready for your next musical event. This modern design features minimalist text and elements centered around the main microphone. Update this file with your information using Adobe Photoshop or Illustrator.

For the vintage music enthusiast, you’ll definitely love this Sky Zeppelin flyer. It works perfectly as an event flyer or as a cool decoration for your home or office. And since it’s created in traditional CMYK format, you won’t have to worry about loss of color or quality.

Get ready to lace up your ice skates for a magical time! This party flyer features a sleek and minimalist design with ample room for your event details. It’s designed with Adobe Photoshop, and you’ll get one other color variation with helpful bleed lines. Download it today!

Or blow away your party-goers with an epic abstract design. This party flyer is best suited for high-energy techno music and more. The full package includes not only a professional A3 Photoshop poster, but also a web banner template. You’ll want this design!

Make a child’s day today! Get your friends and community together for a special cause with this flyer template. Designed with friendly stuffed animals and more, this flyer is one that both kids and parents will love! Download A4 sized templates supported by Photoshop and Illustrator.

If a clean and professional design is what you need then feast your eyes on this stunning example! This lovely event flyer features a relaxing color scheme with a gorgeous minimalist guitar. The multipurpose design is well organized and even includes free fonts and icons!

The world could use a little more peace. Spread love with this spiritual-themed event flyer. Designed with a peaceful landscape and sublime color scheme, this flyer is 6×8 inches with all the standard industry specifications. Use it for conferences, events, or prayer services.

If you’re having trouble deciding on a design, then try a professional flyer template bundle. This stunning design features a winter theme with beautiful abstract elements. Easily switch out the text for your own and choose from the three lovely color variations included.

Tell your buddies to tag along for a fun motor club event! This awesome bundle includes Photoshop and Illustrator supported files that are 100% vector. Also included are free fonts and helpful bleed lines for your convenience.

Your birthday is a special event, so celebrate it with all your loved ones! This modern design features two well-organized flyers with easily editable layers. Just swap out one of the images for one of your own to get started right away!

Movie nights are the best nights! This Photoshop template is perfect for beginners to flyer design. Choose from the red, green, and blue colors included or update it with your own in minutes! Not sure where to begin? Just access helpful documentation to help you get started.

Or promote your local specials with this vintage flyer. Designed using Adobe Photoshop, this flyer is print-ready, with bleed lines and more. Easily change the colors or edit the text to your liking. Try it out today!

This list features exciting
resources for the avid designer
familiar with Adobe Photoshop, Illustrator, and InDesign. For
additional help with your flyer needs, enlist the skills of a talented
professional by choosing one of the amazing designers from Envato Studio.
And
with loads of event flyers available at your fingertips, chances are we’ve
missed a few to add to your personal collection. Be sure to browse Envato Market and Envato Elements for more resources, and let us know your favorites in the comments below!
Post pobrano z: Delayed stop sign / Stop ou encore?
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| THE ORIGINAL? Heineken / Road Safety – 2004 “Don’t drink & drive” Source : Eurobest SILVER Agency : JWT (Italie) |
LESS ORIGINAL SAAQ Société des Assurances Auto du Québec – 2017 “Cannabis extend your reaction time” Source : Coloribus Agency : LG2 Québec (Canada) |
Post pobrano z: Career Tips for Graphic Designers
Junior graphic designers provide a visual representation of a client’s brief. This means using typeface, images, animation, color and composition to communicate ideas. Designers create advertisements, websites, multimedia products and illustrations.
If you are starting out in the field of graphic design as a recent graduate (or even if you’re a design student) the following tips may help you.
Common Responsibilities of Junior Graphic Designers
You might wonder what the job of a junior or entry-level graphic designer entails.
Junior graphic designers often use Illustrator to create and edit illustrations.

They work with typefaces to create a clear message about a product or brand.
They develop guidelines for companies to communicate their brand messages or images.
They create digital interfaces which convey atmosphere and are in alignment with a company’s brand identity.
Join design networks

As a student designer, it is helpful to join organizations such as AIGA. This way you can network with professionals in the industry. This will help you to gain insight into industry players. You will also get the chance to speak to people who will inspire you.
Within a networking organization, you can gain insight into the industry. You will also be able to obtain knowledge or advice on how to work as a graphic designer. As a student, you may also gain the attention of key industry players.
Volunteer
If you would like to build up your portfolio while working for a worthy cause, you could volunteer with charity organizations.
This will give you the opportunity to gain experience following a client’s brief. If you believe in the cause, you’ll put in your best and acquire a stellar portfolio piece.
Working with charities could lead to further work for you (some of this may be paid work). You could approach animal shelters, children’s homes or even local galleries. Choose work that is close to your heart to keep you motivated.
Seek out internships
If you’re looking to gain valuable experience with a good design studio, you could look for an internship. An internship will teach you skills that you can use throughout your career. You’ll learn how organizations are run, understand how to work with client briefs and how design teams work.
If you work hard and put in every effort, you may be able to make a real contribution. Make the most of your talents and show your commitment to the company. By doing so, you may be able to turn your internship into a full-time job. At the very least, you’ll be able to develop new skills and develop a professional network.
Nurture your networks

Instead of seeing your design peers as competition, develop networks. Peers become supporters and collaborators for future projects. It pays to develop professional networks.
Projects are often assigned based on word of mouth. A busy peer may have the perfect project for you. Another might know of a job opportunity, which you would love to take up. Those small jobs an experienced designer will pass over could be a great opportunity for you to build your portfolio.
Become a fan
We all enjoy it when someone shares their appreciation of our work. Let your heroes know how you feel.
If you send short emails to people in the industry that you admire, this might lead to opportunities. You may be able to fill a gap in a large project. You might also be able to do contract work on a project that suits your skills set.
Don’t be discouraged if your heroes don’t always respond. You could send a follow-up mail and an example of some of your newest work. By doing this, you could keep recipients interested, as well as remind them that you are available.
Create an online presence
When you apply for job opportunities or set yourself up as a freelance designer, your prospective employers will search for you on the internet. Creating an online presence will give you a head start.
When you create an online presence, showcase your talents to the best of your ability. You could set up a blog or website to showcase your best work.
Show all of your skills
If you are a skilled illustrator or an excellent photographer, draw attention to these skills and include them in your design portfolio. This could catch the attention of talented art directors.
Pull together your best work in either a PDF or print format, and send it to agencies or companies you would love to work for.
Also, make sure you set up a great looking resume. You can use a resume template, if you want, however it’s best to create one yourself, if you have the skills for it.
Submit your work for award
Awards can help you build your reputation in the art industry. They also gain the attention of significant art directors.
If you have awards linked to your name, it will help you to become a designer of choice for creative directors making a choice between talented applicants.
Use your people skills
In the design industry, emotional connectedness guides a designer’s intuition and builds a reputation. By being respectful, friendly and genuinely interested in a client’s project you will be able to win contracts, work with a team or attract repeat clients.
Effective communication and respectful relationships lie at the heart of developing an effective design practice. By using your people skills to the best of your ability, you will be able to develop an excellent reputation as a graphic designer.
Initiate your own projects
As a creative person, you have the option of starting your own projects. This will help you build a portfolio and generate opportunity.
If you prefer to work in an art studio or with a design team, you could search for work for one part of your day while working on your own projects at the same time. These projects could include ebooks, postcards, t-shirt designs, websites, logos or invitations for family and friends or even illustration projects that you could sell online.
Your own projects allow you to give your creativity free reign. You could also connect with like-minded people to develop your projects, expand your ideas and build on the work of others.
As internet culture grows and expands there are a great many more opportunities for designers to sell or promote products and services. You could search for ways that this could work best for you.
Assess your goals, talents, and interests
Always ask yourself what you can do to make yourself useful to the design industry. How can you offer the most to your employer, clients or the people you care for.
What would you like to do to expand your talents or work towards your dreams? Asking what you might do to work towards growth will get you past momentary frustrations or personal blocks.
If you feel stuck in a situation, ask yourself what you would like a year from now? If this means leaving a difficult situation, you will gain perspective towards the bigger picture.
Focus on your unique talents. This will make you stand out as a memorable designer. Too many designers try to shape themselves into a mold. By focusing on what makes you unique, you’ll create a portfolio which is unique to you.
Share your passions, even if these are outside of traditional graphic design. Illustration, photography, painting, and sculpture are all aspects of visual design. It takes talent and dedication to learn each new skill. The more you share, the greater your uniqueness as a designer.
Develop your interests beyond graphic design. Passionate designers are inspiring but let your interests roam. By going beyond your own field you’ll expand your ability to relate to new areas of the world. Remain curious. Read widely. Understand the human body, ancient mythology or even astronomy. The wider your knowledge, the more you have to bring into the field.
When working freelance, always make your terms clear
As a designer, you want to be clear about the terms and conditions of your employment. There’s nothing wrong with working on a project at a low rate.
You can even volunteer, but ensure that you know how you will be working and how much you will get for this. Ask for a deposit. Don’t let vague terms or employment conditions rob you of your time.
Summary
By following these tips, you can develop your budding graphic design career into the direction you choose.
This will help you get started by putting your best foot forward. Keep working, stay positive and seize the opportunity to develop your portfolio.
Post pobrano z: Design deals for the week
Every week, we’ll give you an overview of the best deals for designers, make sure you don’t miss any by subscribing to our deals feed. You can also follow the recently launched website Type Deals if you are looking for free fonts or font deals.
Anaptár is a unique, informative poster calendar, which is not only a work of beauty but also a source of fascinating new discoveries. Anaptár is much more than a traditional calendar. It provides lots of information beside enumerating days: visualizing data on the Sun and the Moon in a new way the calendar shows the movement of these heavenly bodies in the sky, and because of the radial arrangement this huge amount of data is incorporated in a spectacular, complex and yet easily comprehensible system.
Anaptár is the result of exceptionally meticulous work: all the versions made for various cities are different because the represented data are specific to the given city only. For 2018 Anaptár has versions adapted for the geographic locations of Budapest, Chicago, London, Los Angeles, New York and Sydney.
Get 10% discount by using this coupon code: dd10dis18 on Anaptar by Anagraphic

Illustrator brushes can add a real dose of realism to any project. Well, things are about to get real thanks to this Mighty Deal from The Artifex Forge. You’ll get 18 different Illustrator Brush sets for a combined total of 486 unique brushes! Easily customizable in stroke size and color, you’ll be impressing your clients in no time flat with these bundles covering everything from pencil to chalk brushes and rope to zipper brushes.
$21 instead of $43 – Get it now!

Add some serious style to your typeface toolbox with the Amsterdam Font Family! This elegant signature font features four fabulous typefaces, each offered in a regular and slanted variety, meaning you’re getting 8 different fonts! From business cards to photo watermarks, this family is here to elevate your work to the highest level.
$9 instead of $18 – Get it now!

Time to extend your family! With the Madelyn Handwritten Script Font Family, you’ll be bringing home two unique font styles: Madelyn Script and Madelyn Black. These handwritten script fonts is a masterful blend of calligraphy pen and casual dry strokes. Packed with 500+ letters, over 100 ligatures and 70+ ornaments, Madelyn can bring your latest designs to a whole new level.
$17 instead of $37 – Get it now!

Whether you’re starting from scratch or looking to bolster your artistic toolbox, this Mighty Deal is just magnificent! A Designer’s Dream, you’ll start with 8 premium fonts ranging from the curvaceously glamorous to the quirky and cool. But you’ll also get 8 graphic resource packs full to the brim with more than 575 professional floral elements, frames, arrows, wreaths, patterns, clipart, icons and so much more.
$17 instead of $239 – Get it now!

Post pobrano z: Tips for Creating Hand-Drawn Typography
Hand drawn typography has grown into a field of its own. Illustrators, designers and letter artists are working with multimedia to make their own contributions to this growing trend.
From traditional sign making long used by local communities, to illustration used in publishing, hand-drawn typography creates a sense of creativity, uniqueness, and playfulness in illustration and design.
Creating your own lettering, even if it’s just simply by doodling, can be a creative form of expression. However, with all of the potential opportunities in this field, creating your own lettering is a means of developing your own skills.
There are many different techniques that experienced typographers use in their graphic design projects. This is because typography is an art and a science, with rules or formulas which create effective pages which are intuitive to readers.
When creating your own hand-drawn letters or fonts, follow these basic rules to help your page look both unique and effective.
You can always download free handwriting fonts from an article or another, but it delivers a bigger satisfaction to actually create one.
Inspire yourself from the best work out there
When you create your own lettering, it is different than handwriting. Instead, you are drawing or illustrating your font.
To do this, it is helpful to create a folder of inspirational ideas. You can explore the work of other lettering artists too.
Many publish their work online, so you could always browse Pinterest or YouTube to find inspiration.
Create a formula for your lettering
When you create and design your own lettering, begin by measuring the height and width of the letters you will use on your page.
This will depend on the design of our letters and how you would like to lay them out. Some fonts are small and wide, while others are narrow.
Many designers use a ruler to layout the type on their page, making lines around the letters they are inspired by to show the width or height.
These measurements are then transferred to a page where the designer begins to experiment with his/her own font designs.
Use shapes to map out your page
When creating the space for a font, designers often map their page using empty shapes. Thus, a large rectangle may be used to represent the space where a headline will eventually go. Speech bubbles create spaces to be filled by text.
These shapes give an indication of the length or height you’d use for your fonts. However, hand-drawn letters do not have to be constructed in straight lines and can vary in height or curve in wave format, depending on the design.
Use different sizes to create hierarchy
When you design your letters or fonts, you can use different sized fonts for different words, depending on importance.
This is an easy way to create hierarchy, or evaluate the importance of a message. You can shrink unimportant words such as ‘and’ but then increase the size of important words in order to grab your reader’s attention.
Once you have placed your words on the page, you can adjust or resize them as you go along. If you’re drawing by hand, this requires a pencil and eraser. Gradually, a sleek, clean-lined page will begin to emerge.
Focus on consistency
When you are working on a larger project, it’s helpful to make sure the different aspects of your design are consistent. If you create a brand logo, for example, it has to be exactly the same in all areas of the project.
In order to create identical lettering, you can create a stencil. If work has been done already, make careful reference, as even slight deviations can make a project look messy. Top level designers work with a consistency which creates a fluid flow across the page.
Do your research
If you’re creating typography by hand, this often creates a historic or vintage element. Do some research before you get started.
Many contemporary logos use vintage style (exploring what is already out there enables you to set yourself apart).
However, you could also draw on historic images or references in order to create an interesting font. You could also look at how people used fonts or lettering in years gone by in order to create the mood of the era.
Once you know what you would like to achieve, go out and sketch! Create more than one design, exploring what works best and refining it until you are happy with the result.
Pay attention to the message your typeface is communicating. Explore how many different fonts you would like to use in your design, and how to pair them with each other.
Look at your layout, and how you would like to place your different fonts and how this fits in with the mood or historical element you are portraying.
Transform with Photoshop
Once you’ve created your font, import your design into Photoshop. Your next step would be to change your design from a colored photograph to a high contrast black and white image. Using Photoshop using greyscale mode.
Choose image > mode > Grayscale
Alternatively, click Layer > Adjustment Layer > Black and White
Within the same menu you can select from:
Levels: Use the highlighted eye drops on the left of the menu. You can use the white dropper to define the pure white parts of your image, and the black dropper will define pure black aspects.
Brightness and Contrast: This can help you to contrast various aspects of your image in a manual way. You can adjust these two factors until you achieve a high contrast between light and dark.
Selective Color: Use this to define the texture of your image. Play with the amount of black you would like within the image in order to achieve a high level of contrast.
Polish your image using Illustrator
Once you’ve created your rastor image, you will need to turn it into a vector using Illustrator.
You will need to import the high contrast image into Illustrator. Make sure it is selected and then use Image Trace. You will be able to create a vector sketch from your design. You can then tweak your image to be as sleek or messy as you would like.
Once you have created your vector, you can make some final changes to the style. You can expand the object and Ungroup it in order to access the anchor points of your vector. Using the toolbar, you can add, delete or move these anchor points.
If you’d like your work to be very sleek in order to use it as a logo, you can tighten it up in order to create smoother lines.
Summary
These helpful tips will assist you to create hand-lettered fonts which can be used with consistency, giving a touch of creativity and uniqueness to your graphic design pages.
Post pobrano z: These Japanese memo pads will excavate objects as they get used

If you thought that paper notes blocks could not become a form of art, the Japanese will prove you wrong with the Omoshiro Block. These average looking paper note cards reveal stunning tiny paper sculptures as you remove the paper. These innovative stationary designs are created using laser-cutting technology, they reveal various architectural beauties, such as Kyoto’s Kiyomizudera Temple, Tokyo’s Asakusa Temple and Tokyo Tower.






Post pobrano z: Using CSS Clip Path to Create Interactive Effects
Do you remember being a kid, cutting out pictures from magazines? Did you glue them onto paper to create your own collages? This post is about cutting out images on the web using the CSS property clip-path. We will discuss how to do the cutting and how we can use these cut-out parts to create some interesting effects, combining these cut-out parts with the original image.
I’ll use the following photo as an example. The flower stands out from the rest of the photo. It is a natural focal point to cut out and create our effects around.

First off, we are going to create a new SVG file and import our example image into it. You will need image editing software with vector capability to make the cut. I’m using Inkscape, a free open source editor, but you can apply the same method covered in this post using other applications such as Adobe Illustrator or even an online editor, like Vectr.
Let’s start out by creating a new 100px square SVG document in the image editor. It’s important to use a 100px square because clipping paths come in length-percent. Choosing a 0-100 scale will allow for seamless conversion from pixel to percent.
One thing that I find very valuable before proceeding is to examine the SVG code output from the editor. Getting that output depends on the application. For example, there are two methods in Illustrator alone. Looking at the markup gives us insight into what the editor is doing behind the scenes because not all applications export SVG the same way. Seeing the code will increase your understanding of the markup. It’s a win-win.
The SVG output should give us something like this:
<svg … width="100px" height="100px" viewBox="0 0 100 100" …>
...
</svg>
One of the more important parts of the above is the viewBox attribute because it represents the internal coordinate system of the SVG document. Here’s a thorough explanation of how it works. Above, we can see that the document has the correct proportions where width, height and viewBox all span from 0 to 100.
Next up is importing the image. Here we’ll want to resize the image to 100px square and place it at the origin (0, 0). Doing so might break the aspect ratio of your image, unless your image is already in a square proportion. Our example image is not. This will not be a problem when applying clip-path later on.

Looking at the generated code once again, we now should see the <image> tag inside the SVG document. Note the preserveAspectRatio is set to none. This tells us that the image’s original dimensions are being ignored.
<svg … width="100px" height="100px" viewBox=“0 0 100 100”>
...
<image … y="0" x="0" xlink:href=".../image-file-name.jpg" preserveAspectRatio="none" height="100"
width="100" … />
...
</svg>
Now for the actual image cutting.
The concept of cutting images is called masking. If you are unfamiliar with masking it’s essentially drawing a closed shape with the pen tool around an area of the image. You don’t need to be savvy with a vector editor to do this. It doesn’t require any particular artistic skills and it can be done in a few basic steps.
Masking digital images is very much like cutting images out of real magazines. The path created in the vector editor is the same you’d follow using a pair of scissors. Select the pen tool and start drawing the outline of the part of the image that you want to cut out. In this case, it’s the flower focal point we pointed out earlier. Create as many points you like along the way to shape the mask. Be sure to close the path as the last step.
It is important to only use cusp nodes when doing the cutting because clip-path does not support complex shapes, like Bezier curves at the time of this writing. It supports only simple shapes such as polygon, circle and ellipse.
If we view the SVG code now, the output will include a path with all the coordinates of the shape you drew. Here is an abbreviated example of my path’s output:
...
<path
d="m 52.843605,79.860084 -0.69448,1.767767 -0.883884,0 -1.26269,-1.578364 -0.757615,0.06314 -1.388959,-2.714785 -0.12627,-2.967323 -1.704632,2.525381 -1.136422,-0.126269 -0.505076,-2.841054 -1.515229,1.325825 -1.325825,-0.126269 -0.252538,-1.578363 -0.947018,-0.126269 -0.252538,-0.315673 -0.947018,0.126269 -0.69448,-0.757614 0.126269,-1.641498 -0.441942,-0.252538 -0.189403,-2.588516 -0.505077,-0.06314 -1.010152,0.568211 -0.568211,-1.452094 0.441942,-2.399112 -1.325825,-0.126269 -0.378808,-1.262691 0.378808,-2.08344 0.883883,-1.641498 -1.010152,-1.26269 0.505076,-1.957171 -1.452094,-1.010152 -0.378808,-1.010153 1.136422,-2.209709 -2.209709,-0.378807 -0.441941,-1.704632 0.631345,-2.020305 1.704632,-1.38896 -1.578363,-1.452094 0.568211,-2.462247 0.820749,-0.441942 0.126269,-1.515229 0.757614,-1.073287 0.441942,-1.515228 -0.505076,-1.38896 0,-2.272843 0.505076,-1.010153 1.136422,-0.505076 1.325825,0 0.06313,-0.568211 -0.947018,-2.08344 0.378807,-0.631345 0,-0.441942 1.073288,-0.69448 1.073287,0 0.56821,0.315673 -0.189403,-2.525381 0.189403,-0.883884 0.378808,0.757615 0.06313,-0.883884 0.378807,-0.378807 0.189404,-0.378807 0.126269,-2.08344 0.315673,0.06314 0,-0.568211 0.378807,-0.06313 1.199556,0.568211 0.505076,0.69448 0.252538,-2.08344 0.631346,-0.505076 0.631345,-0.568211 0.441942,-0.505076 0.252538,0.505076 0,-0.883883 1.262691,0.315673 0.820749,-1.894036 1.325825,1.136421 1.073287,-1.452094 0.820749,0.189403 1.010152,1.515229 0.505077,0.757615 0.631345,-1.452095 0.820749,-0.56821 0.820749,0.505076 0.378807,0.631345 0.820749,-0.189403 0.820749,0.947018 0,0.252538 0.69448,-0.126269 0.378807,0.631345 0.820749,0 0.568211,1.515229 0.378807,1.325825 0.505076,-0.189404 0.252538,0.441942 0.378808,0.126269 0.441941,2.08344 0,0.568211 0.505077,-0.126269 0,0.883883 0.694479,-0.252538 0.505077,0.505076 0.252538,0.947018 0,0.883884 0.315673,0 0.378807,0.631345 0.441941,0.631345 0.06314,1.515229 -0.378807,1.957171 -0.441942,1.767767 2.904189,-1.136422 0.252538,0.631345 0.126269,2.209709 -0.883884,1.830902 1.38896,0.378807 1.010153,1.199556 -0.378808,1.641498 -0.947018,1.767767 -0.505076,0.378807 0.69448,1.767767 1.010153,1.26269 0.378807,1.38896 -0.378807,1.515229 -0.568211,0.315673 -0.505077,1.010152 -1.452094,0.883884 0.189404,1.325825 0.315672,0.883883 -0.378807,1.38896 -1.388959,1.073287 -0.505077,0.126269 0,0.505077 -0.189403,1.830901 -1.010153,0.631345 0.820749,2.209709 -0.631345,1.452094 -1.641498,-0.189403 0.126269,1.578363 -0.315673,1.641498 -1.073287,0.505076 -0.378807,0.315673 -0.378807,0.883883 -0.252538,1.010153 0.06313,2.714785 -0.631345,0.631345 -1.578364,-0.883883 -0.757614,-1.262691 -0.189404,2.462247 0.189404,2.083439 -0.252538,2.588516 -0.441942,1.894036 -0.631345,0.631346 -0.631345,-0.189404 -0.820749,-0.883883 z"
/>
...
Below is a video of me cutting out the flower and the result. The cutting took me about two minutes and the result is pretty decent.
Here is my image with a slight opacity on the mask to show the final shape that was cut out:

Now that we have the mask let’s have a look at how we go from SVG to clip-path. This means converting the path descriptor, or the d attribute in the SVG code.
Before we look into how to do the conversion, let’s talk a bit about the reasons for using clipping paths. You might ask why we’re creating a clipping path at all? Why not mask the image in the vector editor and export a pre-cut image? It’s possible and using images is a lot more convenient than working with a huge chunks of CSS code. But there are two principal benefits of going with the clipping path as I see it: interactivity and compression. SVG is essentially code in the DOM that can be manipulated and it is a much smaller file size than a bitmap image of the same shape.
The syntax for CSS clipping paths is somewhat the reverse of what it is in SVG. Pairs are comma-separated and spaces separate coordinates. This is the complete opposite to the SVG descriptor syntax. To further complicate the conversion, some shapes only use absolute coordinates. SVG paths are more flexible as they can use both coordinate systems.
I’ve created a rudimentary Node script that converts SVG paths. It takes paths in relative coordinates and outputs corresponding polygons using CSS clip-path. It uses regex to parse SVG files. Feel free to fork it and enhance it. One obvious addition would be to add normalization of proportions. Adding normalization would eradicate the need to only use square images when creating masks.
Here is the result of applying the clip-path to the photo of the flower:
See the Pen Cutting out images by Mikael Ainalem (@ainalem) on CodePen.
Now that we have the cut-out part let’s have a look what we can with it.
One quite neat trick is to stack the cut-out part on top of the original image. Below is a pen illustrating the idea of overlaying the cut-out part on top of the original image. It will give you an idea of the positioning and the two different parts involved. Having these two different elements gives us the possibility to apply separate effects on the foreground and the background respectively.
See the Pen Cutting out images #2 by Mikael Ainalem (@ainalem) on CodePen.
Highlighting parts on an image is not just visually appealing. It can also have a real impact on the user experience of your site. It isn’t hard to come up with useful scenarios where you might like to highlight parts of an image in a web page. Highlighting tagged people in a photo could be one use-case. Another could be to highlight certain features of a product in a product showcase. A third case could be a photo of a map, in which you would like to highlight places to do some storytelling around. Highlighting or emphasizing parts of the UI can when properly applied be powerful UX pattern. Using clipping paths is one way to achieve highlights in your UI.
Going back to the photo of the flower we can now easily make the flower stand out. One way to achieve this is to tone down the background behind the flower by lowering its opacity:
See the Pen Cutting out images #3 by Mikael Ainalem (@ainalem) on CodePen.
An interesting note is that the browser will hit-test the mask. Thus, to make it a bit more playful, we can trigger the highlight effect when the user hovers the flower. One way to do this is to add JavaScript event handlers (addEventListener) and attach them to the masked element. Setting these handlers to trigger on events like mouseenter and mouseout captures the user hovering the flower. We can even toggle classes on the background element to trigger the effect. A CSS opacity transition is essentially what’s needed.
See the Pen Cutting out images #4 by Mikael Ainalem (@ainalem) on CodePen.
There is nothing that prevents us from reusing the above technique several times in the same image. Here’s an example of highlighting many people in a photo. In this case there are several overlaid cut-outs:
See the Pen clip-path highlight by Mikael Ainalem (@ainalem) on CodePen.
An effect that we’ve been seeing more in the last year is blurred backgrounds. It’s kind of a reverse way to enhance foreground elements. Rather than enhancing the foreground element itself one can create the same effect by blurring background elements. This way of enhancing foreground elements has another pleasant side-effect: the element in your current focal point remains untouched. But, at the same time, it becomes more prominent.
The easiest way to achieve a blur effect is to use the CSS filter blur. The following pen uses the same JavaScript callback method as the previous example to trigger the effect on hover. Instead of toning down the background, it is blurred with a CSS filter transition.
See the Pen Cutting out images #9 by Mikael Ainalem (@ainalem) on CodePen.
Having a transition using the CSS filter, however, is very costly in terms of performance. This has to do with the shader running on the GPU used to create the blur effect. Animating the CSS blur filter is generally not a good idea. A more performant option is to reuse pre-filtered version of the image and use a cross-fade. In other words, we animate the opacity of a duplicated background image instead of animating the blur. Here is what that looks like:
See the Pen Cutting out images #10 by Mikael Ainalem (@ainalem) on CodePen.
Another option to reinforce the cut-out element is to use an outline effect. Reusing the mask is an easy way to make it. If we insert the SVG in between the two main elements and add a slight scale (1.04 in this case), we’ll make it appear as an outline.
See the Pen Cutting out images #5 by Mikael Ainalem (@ainalem) on CodePen.
Of course, we can also trigger the outline on hover like we did in the other examples:
See the Pen Cutting out images #6 by Mikael Ainalem (@ainalem) on CodePen.
The edges of the mask are a bit rough as the mask is binary. One option to soften the edges is to add an SVG filter. Here is an example:
See the Pen Cutting out images #8 by Mikael Ainalem (@ainalem) on CodePen.
What if the part you want to cut out has holes in it? What if it shows parts of the background that you would like to exclude?
For instance, imagine you want to cut out a donut. Then you want the mask to exclude the hole in the middle. How do you then cut out the mask? The clip-path specification doesn’t allow more than one polygon unless we use SVGs. This means there is no possible way to create more than one shape at a time.
Well, one way to create these holes is to use very thin connectors and draw it as one shape. In other words, we can make a very thin incision from the edge and cut out the hole. This pen illustrates what it looks like when we make these connectors very thin:
See the Pen Cutting out images #7 by Mikael Ainalem (@ainalem) on CodePen.
To make the highlight effect even more playful we can actually morph the clip-path itself. Below is an example of creating a dynamic highlight of a butterfly in three shots. The highlight is morphed between the three different cut-out parts on hover.
See the Pen Cutting out images #11 by Mikael Ainalem (@ainalem) on CodePen.
Another interesting effect we can create with clip-path is a double exposure. Here are two images blend in the same mask.
See the Pen Double exposure by Mikael Ainalem (@ainalem) on CodePen.
So, can clip-path be used in all browsers? Unfortunately, not at the moment! If we look the caniuse table it kinda looks a bit like a traffic light at the time of this writing.
This browser support data is from Caniuse, which has more detail. A number indicates that browser supports the feature at that version and up.
| Chrome | Opera | Firefox | IE | Edge | Safari |
|---|---|---|---|---|---|
| 66 | 51 | 54 | No | No | TP* |
| iOS Safari | Opera Mobile | Opera Mini | Android | Android Chrome | Android Firefox |
|---|---|---|---|---|---|
| 11.0-11.2* | 37* | No | 62 | 62 | 57 |
Some key points I hope you walk away with from this post:
clip-path property makes way for UX patterns that highlight and create effects around parts of your imagesUsing CSS Clip Path to Create Interactive Effects is a post from CSS-Tricks