Art for All: Celebrate Diversity in Design—Volume 6

Post pobrano z: Art for All: Celebrate Diversity in Design—Volume 6

Welcome back to our Diversity in Design series on Envato Tuts+. Discover four talented artists with inspiring styles you’ll love.

4 Artists You Should Know: Diversity in Design

Celebrate
the work of these extraordinary artists. Each with their own unique
background, they draw inspiration from their culture and surroundings to
create phenomenal designs.

Johnny Cardoso

Grab a jet pack and soar into the epic artwork of Johnny Cardoso. Featuring exciting poster designs with mind-blowing illustrations, his work mixes nostalgic design with incredible details.

Fliperama Party Poster 1

I’m an illustrator from Brazil currently living in Buenos Aires,
Argentina. I started working at ad agencies around 2011 when I decided to pursue a career in illustration.

Fliperama Party Poster
Fliperama Party Poster

Fliperama Party Poster 2

I’ve always drawn since I was a
kid. I used to copy a lot from comics and things I saw in magazines about
anime. I really love music and big concerts, so I contribute with my
illustrations—making these gig posters.

Fliperama Party Poster 2
Fliperama Party Poster 2

Fliperama Party Poster 3

Fliperama Party Poster 3
Fliperama Party Poster 3

Matadora

I’m very inspired
by Japanese animation like Akira, Paprika and Ghost in The Shell. I
love the work of artists like Otomo Katsuhiro, Bicicleta Sem Freio,
Moebius, James Jean and Dave McKean.

Matadora
Matadora

Thandiwe Tshabalala

Thandiwe is a creative digital artist from Cape Town, South Africa. Her style is uniquely geometric, and features a collection of stunning illustrations of celebrities and more.

See more in her portfolio and on Tumblr.

Portrait: J. Cole

I am a graphic designer and illustrator based in Cape Town, South Africa.
I am eccentric, weird, confident, a dreamer,
and basically an interesting mix of crazy cool.

Portrait J Cole
Portrait: J. Cole

Portrait: Issa Rae

I consider myself to be a story-teller. The subject and
inspiration behind my artwork is always changing. I have expressed my
love for black people, struggles of being poor, racism and sexism
through my illustrations. I also enjoy illustrating portraits; it makes
me happy.

Portrait Issa Rae
Portrait: Issa Rae

Portraits

Portraits
Portraits

Portrait: Lupita Nyong’o

I love Sebastien Thibault’s work, he’s my favorite conceptual illustrator. Sindiso Nyoni is also my fave, he’s a Zimbabwean graphic
artist. In terms of style, I look up to Gabriel Silveira, Magoz and Brian
Miller.

Portrait Lupita Nyongo
Portrait: Lupita Nyong’o

Saad Syed

The future is here. Saad Syed is a 3D artist with exceptional 3D illustrations with futuristic themes. Enjoy his unique take on epic hovercrafts, advanced weaponry, and more.

See more in his portfolio and on Instagram.

S.P.A.T.H. Hovercraft

I have worked as an independent filmmaker,
animator, and 3D artist for 7 years. I grew up in Brooklyn and currently
reside in Durham, North Carolina. My passion is hard surface design and
3D concept art.

SPATH Hovercraft
S.P.A.T.H. Hovercraft

Robotics Study

My family are mostly doctors and engineers and they all married
doctors and engineers. I am the sole dedicated professional creative in
the whole family. I taught myself animation and 3D design, becoming
proficient in Cinema4D, Maya, Modo, Moi3D, and Fusion360.

Robotics Study
Robotics Study

Defensive Automated Plasma System

Defensive Automated Plasma System
Defensive Automated Plasma System

P-1 Pedigree Series

I love the works of Alex Senechal, Vitaly Bulgarov, Edon Guraziu, and Daniele Trevisan.

P-1 Pedigree Series
P-1 Pedigree Series

Anjali Patel

Anjali is a fine artist from Ontario, Canada. Her work features beautiful abstract paintings you can absolutely get lost in. Enjoy her lovely collection below.

See more in her portfolio.

Acrylic on Canvas Landscape 1

I am an ardent artist by soul. Since childhood, art has been an
important aspect of my life. Art defines my subtlety, my patience, and
sometimes it is a medium to represent my inner conscience. 

Acrylic on Canvas Landscape
Acrylic on Canvas Landscape

Acrylic on Canvas Landscape 2

Painting has healed me psychologically and has helped me to
overcome depression. I wish to continue pursuing my passion for art
and to develop a delightful source of happiness through this mode.

Acrylic on Canvas Landscape 2
Acrylic on Canvas Landscape 2

Acrylic on Canvas Seascape

Acrylic on Canvas Seascape
Acrylic on Canvas Seascape

Abstract Acrylic on Canvas

The sole inspiration for my work is my father. After his death, I fell into depression and that is when someone
insisted that I do what I love, to pursue what I
left behind in order to fill the emptiness within. I wanted to make my
dad proud.

Abstract Acrylic on Canvas
Abstract Acrylic on Canvas

Celebrate Diversity! Send Us Your Favorite Artists!

Help us find more incredible artists from different backgrounds to share with our audience! Tweet me your recommendations at MelloNieves or use the hashtags #artforall and #tutsplusdesign on Twitter and Instagram. You never know, we may just feature you in our next article!

I’d
like to extend a warm thank you to all the artists who participated in
this feature. Feel free to see more of their work in the links below:

How to Create an 80s Neon Horns Photo Manipulation in Adobe Photoshop

Post pobrano z: How to Create an 80s Neon Horns Photo Manipulation in Adobe Photoshop

Final product image
What You’ll Be Creating

Today, we will be creating an 80s-inspired poster featuring a pair of glowing neon devil horns! We will not only create brilliant vivid lights by combining different Layer Modes and Adjustment Layers, but we will also use those same techniques to develop shadows to show how versatile they really are. 

Tutorial Assets

Here is what you will need to complete this tutorial. 

Find even more gorgeous resources on Envato Elements!

1. How to Construct a Background

To start things off, we will be creating a very simple „scan line” background.

Step 1

First, create a New Document at 2277 x 3155 px.

Create a Color Fill adjustment layer and fill it with a dark muted blue #09080d.

Step 2

Next, open a New Document at 17 x 5 px. 

Zoom in very, very close since our canvas is very small. 

Using a hard Brush at a Size of 2-4 px, paint four lines from right to left, leaving a transparent line on the far left, in the colors below:

  1. Muted Purple #482f4a
  2. Muted Red #6d3742
  3. Muted Blue #353661
  4. Muted Purple #482f4a
Create vertical pattern
The above image is zoomed 3200%. 

Step 3

Go to Edit > Define Pattern, name it „Vertical Scan Lines”, and then press OK.

Go to Image > Image Rotation > 90° Counter-Clockwise.

Once again, go to Edit > Define Pattern, name it „Horizontal Scan Lines”, and then press OK.

So, we have created two new patterns!

Step 4

Go back to our original canvas and create a Pattern Fill layer and use your newly created „Horizontal Lines” pattern. 

Create another Pattern Fill layer and do the same with the „Vertical Lines” pattern.

Set both pattern layers to 19% Opacity. 

Set scan line layers to 19 opacity

Step 5

To finish up the background, create a New Layer.

Use the Gradient Tool to create a dark blue #09080d to transparent gradient starting at the bottom of the canvas to the middle of the canvas.

Group all the background layers into a new group and name it „Background”. 

Create dark blue gradient

2. How to Create Neon Lights

Next, we will be moving on to one of the main features of this image: the neon lights! 

Step 1 

First, using the Custom Shape Tool, create a large diamond shape with a Transparent Fill and a white Stroke of 17 px. The Size should be 1500 x 1900 px. 

Duplicate the diamond and bring it halfway down to the middle of the original diamond. 

Repeat the last step again to make three diamonds total.  

Create three diamond shapes

Step 2

Next, add an Outer Glow layer style to the first diamond. See the settings below:

  • Blend Mode: Screen
  • Opacity: 100
  • Color: Bright Purple #9230ff
  • Size: 136
Add outer glow

Now, Right-Click > Copy Layer Style and Right-Click > Paste Layer Style on the other two diamonds to give them the same glow as well. 

Copy paste outer glow

Step 3

Duplicate the three diamonds, bring the duplicates above the original diamonds, and Right-Click > Clear Layer Style to all three duplicate diamonds. Then merge the duplicates together, leaving us with a plain white three-diamond design. 

Right-Click > Paste Layer Style onto the newly merged diamond duplicate.

Go into the Outer Glow layer style and change the Size to 29. This is to intensify the glow even further. 

Add more glow to diamonds

Step 4

To create a chromatic effect, duplicate the previously duplicated and merged diamonds.

Go into its Glow layer style and change the Size from 29 to 50.

Duplicate the new duplicate, and merge the two layers together. This will combine the two glows and make them even more intense!

Bring the new duplicated diamonds above all current layers and set the layer mode to Screen. 

Double-Click on the newly merged diamond layer to open up the Layer Style panel.

Go to Channels and uncheck „B”.

Move the layer 3 px to the right and rename it „Chromatic Yellow.”

Add chromatic aberration

Step 5

Duplicate the „Chromatic Yellow” layer and rename it „Chromatic Blue.”

Double click the „Chromatic Blue” layer to open up the Layer Style panel. Check „B” and uncheck „R”.

Move the „Chromatic Blue” layer to the left by 6 px

Add blue chromatic aberration

Step 6

Create a New Layer. 

Add some light reflections to the corners of the diamonds using a soft, medium round Brush with a 1% Flow. Paint in a few six-pointed stars at the corners of the diamonds. 

Draw six point stars

Step 7

Create a New Layer and set it to Soft Light.

Using a very large, soft round Brush, paint a white blob of white in the lower-middle portion of the canvas. 

Add soft light

Step 8

Create a New Layer and set it to Overlay. 

Using the same large white Brush, paint more light in the middle of the canvas as well as smaller blobs of light on the three-diamond design. 

Add harsh overlay light

Step 9

Create a New Layer and set it to Overlay.

Using the same Brush, paint black in the upper portion of the canvas including the corners. 

Group all the neon light images together and name the group „Diamonds.”

Add black contrast

3. How to Create a Smokey Eye Makeup Effect 

Now, we will be moving on to processing our main subject, focusing on her eye makeup!

Step 1

First, let’s cut and extract our model using your preferred method. As we don’t have to worry about any fur, cloth or hair extractions, absolutely any method will work!

Place the model in the middle of the canvas, showing her body from the waist up. 

Place model in middle of canvas

Step 2

Create and clip the following three adjustment layers into the model’s layer:

  1. Black to White Gradient Map layer at 55% Opacity 
  2. Brightness/Contrast layer: Brightness -27 and Contrast 100
  3. Curves layer: 
Curves settings
Color correction adjustment layers for model

Step 3

Next, we will create a dark makeup effect using nothing but adjustment layers!

Create a Black to White Gradient Map and clip it to the model, above all the previous adjustment layers. 

Click the gradient map’s layer mask and hit Control-I to invert it to black. 

Using a soft, round Brush set to white mask in some of the black and white around the eyes, below her eyes and all the way up to her eyebrows. 

Add black and white around eyes

Step 4

Create and clip a Brightness/Contrast layer into the model above all the other layers. Set the settings to Brightness -104 and Contrast -50.

Press Control-I to invert the layer mask to black.

Once again, with a soft white Brush, mask back in some of the dark around her eyes up to her eyebrows and down to the top of the cheeks. Bring the dark a bit further down than the black and white. Also, add a bit to the bottom of her nose. 

Darken  skin around eyes

Step 5

Create and clip a Curves adjustment layer to the model; bring it above all other clipped layers. Settings: 

Curves laye settings

Press Control-I to invert the layer mask to black.

Again, take a soft white Brush and mask back in some of the black in the same general area of the black and white. We want a „smokey eye” effect. 

Add darke smokey makeup effect

Step 6

Create and clip another Brightness/Contrast layer into the model. Settings: Brightness -104.

Press Control-I to invert the layer mask to black.

Using the same white Brush, but now with a Flow of 1%, paint in some subtle darkness around her outer eyes, cheeks, and nose. We don’t want this to be as dark as her eyes. 

Darken cheeks and forehead

Step 7

Create and clip a Curves adjustment layer to our model. Settings:

Curves settings for eyes and nose

Press Control-I to invert the layer mask to black.

Using a soft round Brush, set to white, mask in some red-purple under the eyes and nose. 

Paint in color to eyes and nose

Step 8

Create and clip a New Layer to the model.

Using a large, soft round Brush, paint the top and upper sides of the model’s hair solid black. 

Create and clip one last layer to the model.

Now, using a hard, very small round Brush, paint solid white highlights in the model’s hair and on her shoulders. You can add some soft lines as well, but for the most part, we want harsh white lines to almost make her look illustrated. 

Paint in hair highlights

Group all our model layers together and name the group „Model.”

Current layers so far

4. How to Create a Starry Eyed Effect   

Next, we will be giving our model a pair of starry demon eyes!

Step 1

Create a New Layer. 

Using a hard, round Brush set to black, fill in the eyes.

Set the layer Opacity to 50%.

Darken eyes

Step 2

Using the Custom Shape Tool, place a white star shape in the middle of the model’s pupil. Set the star’s Opacity to 36%. 

Create a star shape on pupil

Add a Layer Mask to the star and invert it by hitting Control-I. 

Using a small, soft round Brush, mask back in the middle and some of the edges of the star. If you are having trouble, you can set the Brush Flow to 5% to help control how much you are masking back in. 

Mask out star shape

Step 3

Duplicate the star shape and delete its layer mask. 

Set the layer mode to Soft Light with an Opacity of 83%. 

Add a new Layer Mask and then, using a semi-hard round Brush, mask out the top point of the star as it would be hidden by her eyelid shadow. 

Place second overlay star

Repeat the same steps for the right eye!

Finish the rught eye

Step 4

To finish up the eyes, we are going to add a bit more light so that they really stand out. Create a New Layer and set it to Overlay. 

With a large, soft round Brush, paint white over each of the eyes. Set the layer Opacity to 47%. 

Finally, paint some highlights in the eyes, similar to the hair highlights, with a very small, hard round Brush. Paint lines across the eyelids and in the eyelashes to really make them pop. 

Add eye highlights

Group all the eye layers together and rename the group „Eyes.”

Current layers so far

5. How to Create Neon Typography

Next, we are moving on to the typography!

Step 1

Using the font face „Brandine”, type out the words „Satanic” and „Panic” separately. We want them on separate layers. Align them similarly to how you see below. 

Place font

Step 2

Apply an Outer Glow layer style to both texts. Settings below: 

  • Blend Mode: Screen
  • Opacity: 100
  • Color: Bright Purple #9230ff
  • Size: 70
Add outer glow
Add glow to text

Step 3

Next, we are going to add some chromatic aberration to the text in almost the same way as we did with the diamonds.

Duplicate both „Satanic” and „Panic” and bring the duplicates above the original text.  

Right-Click > Rasterize Type, Right-Click > Rasterize Layer Style and then Right-Click > Merge Layers. 

Set the layer style to Screen and rename it „Chromatic Blue Text.”

Double-Click „Chromatic Blue Text” to open up the Layer Style panel and uncheck „R”.

Move the „Chromatic Blue Text” layer 2 px to the right and 2 px down. 

Add a blur by going to Filter > Blur > Gaussian Blur. Set the Radius to 5 px.

Add blue chromatic abberation

Step 4

Now, we are going to add some yellow chromatic aberration by duplicating the „Chromatic Blue Text” layer. 

Rename the layer „Chromatic Yellow Text”.

Double-Click „Chromatic Yellow Text” to open up the Layer Style panel. Check „R” and uncheck „B”.

Move the „Chromatic Yellow Text” layer 10 px up and 5 px to the right.

Add yellow chromatic aberration

Group all the text layers together and name the group „Text.”

Current layers so far

6. How to Paint Neon Horns

Next, we are going to focus on the main feature of the poster: the neon horns! 

Step 1

You could just paint the horns using a hard round Brush set to a violet purple #5132c0, but for those of you who are not painterly, a neat trick is using the Polygonal Marquee Tool! 

Create a New Layer and, using the Polygonal Marquee Tool, create a selection in the shape of a crooked, sharp „C” or any other horn shape!

Use the Lasso Tool to round out the part of the horn that connects to the forehead. Don’t worry about it being perfectly round; you won’t see the bottom of the horns in the final piece, anyway. 

Grab any brush, and paint in the selection with some violet purple #5132c0.

Draw left horn

Create a second horn, or alternatively duplicate, flip and shrink the existing horn layer and move it to the opposite side of the forehead.  

Copy horn to the left

Step 2

Add an outer glow to both of the horns using the settings below: 

  • Blend Mode: Screen
  • Opacity: 26%
  • Color: Violet Purple #5132c0
  • Size: 250 px
Add glow to horns

Clip a New Layer to both horns, and paint the bottom half of the horns pure white.

Set both horn layers to Screen. 

Set horns to screen

Step 3

Create a New Layer above the horn layers. 

Using a large, soft round Brush, paint white at the point where the horns meet the forehead. This is so that the horns blend into the forehead; we want that whole area solid white.

Create a New Layer, and using a medium, soft round Brush with a flow of 1% paint a six-point star coming from the newly painted white light. 

Group all the current horn layers, including the white light, into a group and name it „Horns.”

Add glw to base of horn

Step 4

Next, we are going to add some detail to the horns.

Create a New Layer and set it to Overlay. 

Go back into our horns folder and create a selection in the shape of the left horn by holding Control and then Right-Clicking the left horn layer.

Now, add a Layer Mask to the new layer. This will create a layer mask in the shape of the left horn. 

Using a small, hard, white round Brush, sketch in some details/lines/ridges onto the left horn. The layer mask will help keep the lines sharp and contained in the horn shape.

Create a New Layer and add some shadows using the same technique. I set the shadow layer to 33% Opacity. 

Add details to left horn

Repeat the above steps to add detail to the right horn, as well. 

Add detaisl to right horn

Step 5

Next, we are going to create the light beam effect coming from the horns, which is done by using a custom brush created from our horn shape! 

Create a New Document in a large enough size to fit our left horn—we will crop it down to its exact size in a moment, so the size really doesn’t matter. Just make it big enough.  

Drag and drop the left horn layer into the new document, make sure the layer mode is set to Normal, and crop it down to the exact size. 

Remove any layer styles and turn the horn pure black. 

Create horn brush

Step 6

Go to Edit > Define Brush and press OK.

Go back to the main file, create a New Layer, and set the layer to Screen.  

Select the Brush Tool, choose our newly created brush and go to Window > Brush Settings to open the Brush Settings panel. 

Set the Spacing to 1% and the Flow to 1% as well. Set the color to a muted pink #b3838d.

Align the brush with the horn and paint down in a swooping motion.

Add light comming off of horn using brush

Step 7

Check Flip X in the Brush Settings panel to flip the brush, reduce the size until it’s roughly the same size as the right horn, and then paint the same swooshing motion.

You don’t have to bring it straight down, nor does the brush have to line up exactly with the horn. This is a perfect spot to experiment and do what you think looks best! 

Bring the Opacity of the layer down to 85%.

Add light to right horn using brush

Step 8

Create a New Layer and set it to Screen. 

Using a very large, soft round Brush, paint a light blue #b3838d on the top of the horns. 

Bring the layer Opacity to 70%.

Add soft blue light

Step 9

Go back to the layers we painted the beams of light on (with the brush we created) and duplicate it.

Bring the duplicate above the blue glow, and then set the layer to Overlay. 

Add a Layer Mask to the light beam duplicate, and then using a large, soft round Brush, mask out the bottom half of the beams. 

Duplicate that layer, and then mask even more out so that the glow is strongest on top of the horns. 

Add harsh white light

Step 10

To finish up the horns, create a Curves adjustment layer. Settings:

Curves adjustment settings

Press Control-I to invert the curve’s layer mask and make it black. 

Using a large, soft round Brush, paint white in the middle of the horns, dragging in a downward motion. 

Group all the horn layers together, including the „Horns” group, into a new group and also name it „Horns.”

Layers so far

7. How to Achieve an 80s Vintage Color Effect

We are in the final stretch! Now, all we have to do is tie everything together with a vintage finish. 

We will do this by using several different adjustment layers—seven, to be precise. They are ordered from last to first, meaning each new layer will go on top of the last.

They are already grouped in the group „CC”, colored and numbered so you won’t get lost!

Step 1

  1. Color Lookup layer: (Abstract) Pastel Hues at 36% Opacity.
  2. Color Lookup layer: (Device Link) RedBlueYellow at 35% Opacity.
  3. Color Lookup layer: (3DLUT File) FoggyNight at 33% Opacity. Double-Click the color lookup layer to open its Layer Style panel. Set the Underlying Layer to what you see below.
  4. Tip: Hold Alt and then click and drag to separate the toggles. 
Underlying layer settings
Add first 3 adjusment layers

Step 2

Now, for the second batch of adjustment layers!

  1. Channel Mixer layer: Red +129, Green -45 and Blue -5.
  2. Curves layer: 
Curve layer settings

Using a large, soft round Brush, mask out the middle of the canvas to create a vignette. 

Add next 2 adjustment layers

Step 3

And finally, the last set of adjustment layers!

  1. Color Lookup layer: (Abstract) Turquoise-Sepia at 61% Opacity.
  2. Color Lookup layer: (3DLUT File) FallColors at 50% Opacity.
Add final adjustment layers

We’ve Done It!

As we’ve learned here, adjustment layers are incredibly versatile and can be used for anything from dark, grungy makeup to vivid neon lights. Always take the time to experiment with different colors, settings, and shapes—this effect has no „wrong way!”

And as always, share your art down below, along with any comments or questions! 

Final Image

18 New Tasty Restaurant & Cafe Menu Templates for 2018

Post pobrano z: 18 New Tasty Restaurant & Cafe Menu Templates for 2018

Become the next hottest spot to grab a bite! Check out these amazing menu templates below!

18 New Restaurant and Cafe Menus for 2018

The restaurant of your dreams is missing just one special element: the perfect menu. So entice your customers with mouth-watering items and tasty aesthetics.

Today we bring you another amazing set of premium templates from Envato Market and Envato Elements. Featuring incredible designs from professional designers, these templates will give you high-quality results in less time!

Not sure where to begin? Try a minimalist vibe with clean colors and simplistic elements. Or for the more traditional route, download trendy menu designs any customer is sure to love!

Get more help! For custom professional designs, ask our experts at Envato Studio.

Learn More About Menu Design

New to menu design? Follow along with our instructors with these helpful lessons:

Restaurant Menu

Many restaurants incorporate certain colors into their menus that are as vibrant as their meals. Take this spectacular design, for example. With clean, professional elements and plenty of room for your menu items, this design is highly effective. Use it today for a noticeable difference!

Restaurant Menu

Cafe Restaurant Menu

Modern cafe menus effortlessly blend a mixture of elegance and style. So does that sound like your restaurant? Celebrate your delectable treats with a lovely design like this one. It features a standard A4 sized template that is completely customizable, so you’ll be able to update this design in minutes! Enjoy!

Cafe Restaurant Menu

Cafe Menu

Your menu is the biggest selling point for every customer. Make sure you win them over with stunning modern visuals like fresh, premium ingredients. This gorgeous template features a seafood-inspired design with plenty of premium extras for drink menus and more.

Cafe Menu

Vegan Food Menu

Invite your customers to enjoy a delicious healthy meal with this vegan food menu. Inspired by a classic chalkboard style, this template features an A4 sized design that has been pieced together with bold, editable details. The best part? Only free fonts were used!

Vegan Food Menu

Rustic Restaurant Menu

Could this be the template for your next
award-winning meals? We hope so! Created with stylish rustic elements in
mind, this menu template is a beauty! Enjoy six Photoshop files with
alternative styles for the main menu and drinks page.

Rustic Menu

Cafe Menu

Large menus are overwhelming. So keep it simple with an elegant cafe menu like this casual style below. It offers two unique color schemes with beautiful arrangements, so you’ll love the way your items appear on this menu! All the images you see are included, and you’ll get access to free fonts!

Cafe Menu

Coffee Shop Template

Refresh your coffee shop menu with a contemporary flyer template! Although the sample graphics are not included in this one, you can easily drag and drop your favorite photos into the editable placeholders for more customization. Try it out for a fresh new look!

Coffee Shop Template

Bi-Fold Food Menu Template

The best meals in town should have the best menu too! This mouth-watering design features a classic flip out style with room for food items and pictures. Just switch out the images for some of your own or utilize your subscription to download these great finds!

Bi-Fold Food Menu Template

Fakous Restaurant Menu Flyer

Got a burger joint with the best fresh patties around?
Check out this delicious-looking Fakous menu with incredible colors and
details. This design features a clean and modern layout with adjustable
smart objects. And it’s ready to print for a super quick turnaround!

Fakous Restaurant Menu Flyer

Clean & Simple Menu

Or
highlight your exquisite palette with this clean and simple menu
template. A ready-to-print design created in standard A4 size, this
template is ideal for any cafe or restaurant looking to stay away from
busy visuals. Enjoy a minimalist style with text elements you can easily
update today!

Clean  Simple Menu

Colorful Tropical Menu

Create
a happy atmosphere in your establishment with this delightful tropical
menu. Inspired by the vibrant colors seen in many exotic locations, this
menu can be customized to any tropical cuisine. Perfect for beginners,
this template requires at least Photoshop CS3 to access the files.

Colorful Tropical Menu

Retro Diner Food Menu

Show off your love for nostalgic diner design with this vibrant food menu. Inspired by the retro aesthetics of 1950s drive-in diners, this menu comes in Photoshop and Illustrator formats. Included are well-organized layers with vector elements you can modify.

Retro Diner Food Menu

Restaurant Menu

A stunning design with golden geometric details, this menu is an elegant choice for any restaurateur. Included in this package is a duo restaurant and beverage menu set with ten total files available. Simply edit them with the help of Adobe Photoshop for easy customization.

Restaurant Menu

Sketch Trifold Food Menu

Chalkboard menus are currently popular for their clean designs and retro charm. Check out this sketch trifold menu, for instance. It comes with A4 and US letter sizes perfect for an easy transition to a new menu. You’ll love the realistic chalkboard design!

Sketch Trifold Food Menu

Coffee Shop Trifold Brochure

Brew heartwarming cups of delicious coffee accompanied by this delightful menu! An affordable design for any cafe owner on a budget, this trifold makes it easy to update the pictures and coffee names fast. Experience no quality loss with fully editable smart objects!

Coffee Shop Trifold Brochure

Cafe Menu

Make your cafe stand out with delectable items presented on this vintage-inspired chalkboard menu. It’s created with realistic chalkboard details like handmade typography and more, so you’ll be able to update it quickly and easily. Just drag and drop your specials into the super convenient placeholders. Get started today!

Cafe Menu

Cocktail Drinks Menu

Everyone loves happy hour! So make sure your best weekly deals shine with a fun cocktail drinks menu. This design features a cool, modern style with realistic bar elements for the perfect mixer! Get access to one fully editable Photoshop file with built-in bleed lines and more!

Cocktail Drinks Menu

Restaurant Menu

Sometimes, less is more. Succeed with a professional menu template that is easy to read and manage. Easily update this ready-to-use template with new items when they’re available! Included are four Photoshop files with clear instructions.

Restaurant Menu

Conclusion

This list features exciting
resources for the avid designer
familiar with Adobe Photoshop, Illustrator, and InDesign. For
additional help with your menu needs, enlist the skills of a talented
professional by choosing one of the amazing designers from Envato Studio.

And
with loads of menu templates available at your fingertips, chances are we’ve
missed a few to add to your personal collection. Be sure to browse Envato Market and Envato Elements for more resources, and let us know your favorites in the comments below!

Estimado Jose Alfredo Agency: Copies

Post pobrano z: Estimado Jose Alfredo Agency: Copies
Print
Estimado Jose Alfredo

At Estimado Jose Alfredo Agency we wanted to highlight our creative department, specifically the Copywriter work. We play with the fact that every copywriter of the agency is being photocopied. That’s the way to prove that nobody takes/has copies as we do.

Nobody has copies like us.

Advertising Agency:Estimado Jose Alfredo, Valencia, Spain
Creative Director:Jorge M. Rodrigo, Xamu Olmos
Art Director:Jorge M. Rodrigo
Copywriter:Jorge M. Rodrigo, Xamu Olmos
Copywriters:Nadia Sous, Benji Clemente

Volkswagen: Arteon, Tiguan, Beetle, Terramont, Golf

Post pobrano z: Volkswagen: Arteon, Tiguan, Beetle, Terramont, Golf
Print
Volkswagen

I’m not a fake is not only a print/outdoor campaign but also a new digital media: it’s the first ever, interactive ad to use reCAPTCHA recognition technology as a communication platform.

Advertising Agency:Memac Ogilvy, Dubai, United Arab Emirates
Chief Creative Officer:Paul Shearer
Chief Executive Officer:Patou Nuytemans
Regional Creative Director:Juliana Paracencio
Creative:Hyunseo Yoo, Aliza Siddiqi, Aliza Siddiqi
Art Director:Hyunseo Yoo, Aliza Siddiqi
Copywriter:Aliza Siddiqi
Arabic Copywriter:Maya El Kai
Account Manager Director:Atul Shenoy
Senior Account Executive:Maha Najem
Innovation Creative Director:Logan Allanson
Head Of Digital Production:Mohammad AlShanabla
Digital Designer:Mark Cruzem
Digital Developers:Walaa Joumaa, Hadi Haber

Geico: Smile, Delivery, Night

Post pobrano z: Geico: Smile, Delivery, Night

Film
Geico

Advertising Agency:The Martin Agency, Richmond, USA
Svp:Steve Bassett, Brett Alexander
Group Creative Director:Steve Bassett
Vp:Neel Williams, Justin Harris, Ben Creasey
Creative Directors:Neel Williams, Justin Harris
Executive Director:Brett Alexander
Associate Creative Director:Mauricio Mazzariol
Content Producer:Maggie Weishaar
Junior Content Producer:M.A. Williams
Business Affairs Supervisor:Suzanne Wieringo
Senior Financial Affairs Manager:Amy Trenz
Group Account Director:Ben Creasey
Account Supervisors:Allison Hensley
Account Executives:Jon Glomb, Allie Waller
Account Coordinator:Abbey Reddington
Project Manager:Karen McEwen Gates
Senior Production Business Manager:Amy Trenz
Production Company:Park Pictures
Executive Producers:Jackie Kelman Bisbee, Justin Pollock
Director:Terri Timely
DoP:Shawn Kim
Head Of Production:Anne Bobroff, John Skeffington
Line Producer:David Lambert
Editorial Company:Cut And Run
Executive Producer:Amburr Farls
Editor:Frank Effron
Editorial Producer:Brian Mulvey
Managing Director:Michelle Eskin
Remote Edit Facility:Running With Scissors
Remote Color Facility:Running With Scissors
Vfx:ArtJail
Finishing:ArtJail
Vfx Supervisor:Steve Mottershead
Creatie Director:Steve Mottershead
Creative Director:Lee Towndrow
Flame Lead:Lee Towndrow
Flame Artists:Emily Bloom, Chris Memoli, Ben Vaccaro, Jesper Nybroe, Joel Osis

Nuke Artist:Christian Mangual
Flame Assist:Ben Elliot
Cg Artists:Ruoyu Li, Justin Miller, Jimmy San
Colourist:Fergus Mccall, The Mill
Audio Post Facility:Heard City
Producer:Sasha Awn
Sound Designer:Mike Vitacco
Mixer:Mike Vitacco
Stock Music:Apm, Extreme Music, Asche & Spencer

How to balance your freelance business with your personal life

Post pobrano z: How to balance your freelance business with your personal life

For most people, embracing a freelancing career looks challenging because it doesn’t offer any safety in terms of income at the end of the month. For others, the challenge doesn’t come from the money side, but from balancing work with life.

In fact, when companies hire freelancers, they often expect high flexibility they would not get from an employee. This is why you should be careful as a freelancer, to make sure that your work life is not affecting your personal life in a negative way.

Don’t work from home all the time

Working at home is great, I do it most of the time. However, if you do it all the time, you may go insane, especially if you have children. If you live in a city, it’s very likely that you have coworking spaces available at a reasonable price not too far from your home. This way you get to meet people, change your environment, and be forced to stop looking at cat videos because somebody may pass behind you and judge you.

Log off regularly

Social media has made the technology even much more addictive than it was previously, it also totally blurred the line between work and life. Can you really separate your email inbox between work and life? I doubt it… Can you block notifications for emails and all other social media, yes you can! Unless you work in a medical field with regular emergencies, I doubt you really need to check your phone all the time.

Socialize (in real life)

Whether you work from home or from an office, you need to take some time every week to socialize with your favorite people. It can be family, friends, or pets, take some time off work and interact in real life with other people. Of course, while you do so, try to really be with these people, don’t be constantly checking social media (I’m looking at you, millennials)!

Learn to say no

If you always say yes to everything, some of your clients will eat you alive. No, they will no literally eat you alive, but they suck up all of your energy little by little. Learn to figure out what requests are reasonable and to say no to others, it’s for your own health.

Set your rules and stick to it

This goes with the point above, but it’s worth repeating as it’s one of the biggest issues many freelancers face. Be organized and have a plan, it will make it easier to say no because you will know what is part of the plan or not.

Set realistic goals

You know how we (freelancers) always make fun of clients who come up with totally unrealistic expectations, usually with a ridiculously low budget? Well, we shouldn’t make fun of them too much, because I see way too many freelancers planning their day with a schedule like programming two WordPress plugins, finish that client website, work on that side project, cook some healthy meals, and do sport for one hour in the evening. You need to be more practical and set realistic goals, only this way you get a chance to be satisfied at the end of the day. You should know it, low self-esteem is not good for freelancers.