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Design Deals for the Week

Post pobrano z: Design Deals for the Week

Every week, we’ll give you an overview of the best deals for designers, make sure you don’t miss any by subscribing to our deals feed. You can also follow the recently launched website Type Deals if you are looking for free fonts or font deals.

100+ Christmas and New Year’s Vector Designs

It’s that time of year again! The holidays are upon us, so break out the Christmas cheer with this premium bundle of high-quality Christmas and New Year vectors! You’ll get 100+ professional illustrations, all helping to usher in a very Merry Christmas and Happy New Year! Great for everything from holiday cards to posters, ads, T-shirts and more.

$9 instead of $900 – Get it now!

Revolutionary Auto Racing Inspired Intensa Font Family

Inspired by the auto racing revolution in the 1960s, Intensa is a fabulous font family comprised of 15 display fonts in a wide range for styles and weights. It also supports more than 45 different languages. Mix and match styles to create the perfect store sign, T-shirt, advertisement or any other printed project currently in your hands.

$9 instead of $28 – Get it now!

180+ Awesome Shapes and Patterns Kit

This Awesome Shapes and Patterns collection will give a wonderfully modern look to your latest project. Jam packed with more than 180 individual elements, you’ll find organic, doodle and geometric shapes, as well as a slew of dot grids and circles. They’re all perfect for everything from invitations to web design to apparel.

$9 instead of $56 – Get it now!

100+ Customizable Ugly Christmas Sweater Designs

Is the season for ugly Christmas sweaters and has Mighty Deals got you covered! This collection of 100+ Ugly Christmas Sweater Designs and Templates is all you need to create unlimited uglywear. With multiple file formats and knitted fonts, these bad boys are fully customizable to suit your every need.

$9 instead of $1295 – Get it now!

950+ Professional, Elegant Floral Elements

This beautiful Flower Bundle of line art and watercolors is comprised of 6 different floral sets from Christmas Time to Underwater Magic. That’s over 950 elegant floral designs delivered as borders, frames, logos, patterns and more. With an extended license, you can create limitless commercial projects from apparel to wedding invitations.

$9 instead of $740 – Get it now!

Sponge Flowerpot by Moreno Ratti

Post pobrano z: Sponge Flowerpot by Moreno Ratti

Based in Italia, Moreno Ratti is an architect and designer who attempts to incorporate ecological thinking in his work. He recently designed a series of flowerpots that include travertine marble that acts as a sponge in the pot.

It works as follows: the marble that contains the plants absorbs the water to distribute it to the soil. On the way to the soil, the water is transported through the marble holes and collects some mineral salts on the way, helping to nourish the plant’s roots better. The marble acts as both the central decorative element and the functional part.

Sponge Flowerpot by Moreno Ratti

Post pobrano z: Sponge Flowerpot by Moreno Ratti

Based in Italia, Moreno Ratti is an architect and designer who attempts to incorporate ecological thinking in his work. He recently designed a series of flowerpots that include travertine marble that acts as a sponge in the pot.

It works as follows: the marble that contains the plants absorbs the water to distribute it to the soil. On the way to the soil, the water is transported through the marble holes and collects some mineral salts on the way, helping to nourish the plant’s roots better. The marble acts as both the central decorative element and the functional part.

Web Scraping Made Simple With Zenscrape

Post pobrano z: Web Scraping Made Simple With Zenscrape

Web scraping has always been taken care of by actual developers, since a lot of coding, proxy management and CAPTCHA-solving is involved. However, the scraped data is very often needed by people that are non-coders: Marketers, Analysts, Business Developers etc.

Zenscrape is an easy-to-use web scraping tool that allows people to scrape websites without having to code.

Let’s run through a quick example together:

Select the data you need

The setup wizard guides you through the process of setting up your data extractor. It allows you to select the information you want to scrape visually. Click on the desired piece of content and specify what type of element you have. Depending on the package you have bought (they also offer a free plan), you can select up to 30 data elements per page.

The scraper is also capable of handling element lists.

Schedule your extractor

Perhaps, you want to scrape the selected data at a specific time interval. Depending on your plan, you can choose any time span between one minute to one hour. Also, decide what is supposed to happen with the scraped data after it has been gathered.

Use your data

In this example, we have chosen the .csv-export method and have selected a 10 minute scraping interval. Our first set of data should be ready by now. Let’s take a look:

Success! Our data is ready for us to be downloaded. We can now access all individual data sets or download all previously gathered data at once, in one file.

Need more flexibility?

Zenscrape also offers a web scraping API that returns the HTML markup of any website. This is especially useful for complicated scraping projects, that require the scraped content to be integrated into a software application for further processing.

Just like the web scraping suite, the API does not forward failed requests and takes care of proxy management, CAPTCHA-solving and all other maintenance tasks that are usually involved with DIY web scrapers.

Since the API returns the full HTML markup of the related website, you have full flexibility in terms of data selection and further processing.

Try Zenscrape

The post Web Scraping Made Simple With Zenscrape appeared first on CSS-Tricks.

The Power (and Fun) of Scope with CSS Custom Properties

Post pobrano z: The Power (and Fun) of Scope with CSS Custom Properties

You’re probably already at least a little familiar with CSS variables. If not, here’s a two-second overview: they are really called custom properties, you set them in declaration blocks like --size: 1em and use them as values like font-size: var(--size);, they differ from preprocessor variables (e.g. they cascade), and here’s a guide with way more information.

But are we using them to their full potential? Do we fall into old habits and overlook opportunities where variables could significantly reduce the amount of code we write?

This article was prompted by a recent tweet I made about using CSS variables to create dynamic animation behavior.

CSS variables are awesome, right? But scope power is often overlooked. For example, take this demo, 3 different animations but only 1 animation defined 💪 That means dynamic animations 😎 https://t.co/VN02NlC4G8 via @CodePen #CSS #animation #webdev #webdesign #coding pic.twitter.com/ig8baxr7F3

— Jhey @ NodeConfEU 2019 📍🇮🇪⌨️ (@jh3yy) November 5, 2019

Let’s look at a couple of instances where CSS variables can be used to do some pretty cool things that we may not have considered.

Basic scoping wins

The simplest and likely most common example would be scoped colors. And what’s our favorite component to use with color? The button. 😅

Consider the standard setup of primary and secondary buttons. Let’s start with some basic markup that uses a BEM syntax.

<button class="button button--primary">Primary</button>
<button class="button button--secondary">Secondary</button>

Traditionally, we might do something like this to style them up:

.button {
  padding: 1rem 1.25rem;
  color: #fff;
  font-weight: bold;
  font-size: 1.25rem;
  margin: 4px;
  transition: background 0.1s ease;
}

.button--primary {
  background: hsl(233, 100%, 50%);
  outline-color: hsl(233, 100%, 80%);
}

.button--primary:hover {
  background: hsl(233, 100%, 40%);
}

.button--primary:active {
  background: hsl(233, 100%, 30%);
}

.button--secondary {
  background: hsl(200, 100%, 50%);
  outline-color: hsl(200, 100%, 80%);
}

.button--secondary:hover {
  background: hsl(200, 100%, 40%);
}

.button--secondary:active {
  background: hsl(200, 100%, 30%);
}

See the Pen
Basic buttons
by Jhey (@jh3y)
on CodePen.

That’s an awful lot of code for something not particularly complex. We haven’t added many styles and we’ve added a lot of rules to cater to the button’s different states and colors. We could significantly reduce the code with a scoped variable.

In our example, the only differing value between the two button variants is the hue. Let’s refactor that code a little then. We won’t change the markup but cleaning up the styles a little, we get this:

.button {
  padding: 1rem 1.25rem;
  color: #fff;
  font-weight: bold;
  font-size: 1.25rem;
  margin: 1rem;
  transition: background 0.1s ease;
  background: hsl(var(--hue), 100%, 50%);
  outline-color: hsl(var(--hue), 100%, 80%);

}
.button:hover {
  background: hsl(var(--hue), 100%, 40%);
}

.button:active {
  background: hsl(var(--hue), 100%, 30%);
}

.button--primary {
  --hue: 233;
}

.button--secondary {
  --hue: 200;
}

See the Pen
Refactoring styles with a scoped variable
by Jhey (@jh3y)
on CodePen.

This not only reduces the code but makes maintenance so much easier. Change the core button styles in one place and it will update all the variants! 🙌

I’d likely leave it there to make it easier for devs wanting to use those buttons. But, we could take it further. We could inline the variable on the actual element and remove the class declarations completely. 😲

<button class="button" style="--hue: 233;">Primary</button>
<button class="button" style="--hue: 200;">Secondary</button>

Now we don’t need these. 👍

.button--primary {
  --hue: 233;
}

.button--secondary {
  --hue: 200;
}

See the Pen
Scoping w/ inline CSS variables
by Jhey (@jh3y)
on CodePen.

Inlining those variables might not be best for your next design system or app but it does open up opportunities. Like, for example, if we had a button instance where we needed to override the color.

button.button.button--primary(style=`--hue: 20;`) Overridden

See the Pen
Overridden with inline scope
by Jhey (@jh3y)
on CodePen.

Having fun with inline variables

Another opportunity is to have a little fun with it. This is a technique I use for many of the Pens I create over on CodePen. 😉

You may be writing straightforward HTML, but in many cases, you may be using a framework, like React or a preprocessor like Pug, to write your markup. These solutions allow you to leverage JavaScript to create random inline variables. For the following examples, I’ll be using Pug. Pug is an indentation-based HTML templating engine. If you aren’t familiar with Pug, do not fear! I’ll try to keep the markup simple.

Let’s start by randomizing the hue for our buttons:

button.button(style=`--hue: ${Math.random() * 360}`) First

With Pug, we can use ES6 template literals to inline randomized CSS variables. 💪

See the Pen
Random inline CSS variable hues
by Jhey (@jh3y)
on CodePen.

Animation alterations

So, now that we have the opportunity to define random characteristics for an element, what else could we do? Well, one overlooked opportunity is animation. True, we can’t animate the variable itself, like this:

@keyframes grow {
  from { --scale: 1; }
  to   { --scale: 2; }
}

But we can create dynamic animations based on scoped variables. We can change the behavior of animation on the fly! 🤩

Example 1: The excited button

Let’s create a button that floats along minding its own business and then gets excited when we hover over it.

Start with the markup:

button.button(style=`--hue: ${Math.random() * 360}`) Show me attention

A simple floating animation may look like this:

@keyframes flow {
  0%, 100% {
    transform: translate(0, 0);
  }
  50% {
    transform: translate(0, -25%);
  }
}

This will give us something like this:

See the Pen
The excited button foundation
by Jhey (@jh3y)
on CodePen.

I’ve added a little shadow as an extra but it’s not vital. 👍

Let’s make it so that our button gets excited when we hover over it. Now, we could simply change the animation being used to something like this:

.button:hover {
  animation: shake .1s infinite ease-in-out;
}

@keyframes shake {
  0%, 100% {
    transform: translate(0, 0) rotate(0deg);
  }
  25% {
    transform: translate(-1%, 3%) rotate(-2deg);
  }
  50% {
    transform: translate(1%, 2%) rotate(2deg);
  }
  75% {
    transform: translate(1%, -2%) rotate(-1deg);
  }
}

And it works:

See the Pen
The excited button gets another keyframes definition
by Jhey (@jh3y)
on CodePen.

But, we need to introduce another keyframes definition. What if we could merge the two animations into one? They aren’t too far off from each other in terms of structure.

We could try:

@keyframes flow-and-shake {
  0%, 100% {
    transform: translate(0, 0) rotate(0deg);
  }
  25%, 75% {
    transform: translate(0, -12.5%) rotate(0deg);
  }
  50% {
    transform: translate(0, -25%) rotate(0deg);
  }
}

Although this works, we end up with an animation that isn’t quite as smooth because of the translation steps. So what else could we do? Let’s find a compromise by removing the steps at 25% and 75%.

@keyframes flow-and-shake {
  0%, 100% {
    transform: translate(0, 0) rotate(0deg);
  }
  50% {
    transform: translate(0, -25%) rotate(0deg);
  }
}

It works fine, as we expected, but here comes the trick: Let’s update our button with some variables.

.button {
  --y: -25;
  --x: 0;
  --rotation: 0;
  --speed: 2;
}

Now let’s plug them into the animation definition, along with the button’s animation properties.

.button {
  animation-name: flow-and-shake;
  animation-duration: calc(var(--speed) * 1s);
  animation-iteration-count: infinite;
  animation-timing-function: ease-in-out;
}

@keyframes flow-and-shake {
  0%, 100% {
    transform: translate(calc(var(--x) * -1%), calc(var(--y) * -1%))
      rotate(calc(var(--rotation) * -1deg));
  }
  50% {
    transform: translate(calc(var(--x) * 1%), calc(var(--y) * 1%))
      rotate(calc(var(--rotation) * 1deg));
  }
}

All is well. 👍

Let’s change those values when the button is hovered:

.button:hover {
  --speed: .1;
  --x: 1;
  --y: -1;
  --rotation: -1;
}

See the Pen
The excited button with refactored keyframes & scoped variables
by Jhey (@jh3y)
on CodePen.

Nice! Now our button has two different types of animations but defined via one set of keyframes. 🤯

Let’s have a little more fun with it. If we take it a little further, we can make the button a little more playful and maybe stop animating altogether when it’s active. 😅

See the Pen
The Excited Button w/ dynamic animation 🤓
by Jhey (@jh3y)
on CodePen.

Example 2: Bubbles

Now that we’ve gone through some different techniques for things we can do with the power of scope, let’s put it all together. We are going to create a randomly generated bubble scene that heavily leverages scoped CSS variables.

Let’s start by creating a bubble. A static bubble.

.bubble {
  background: radial-gradient(100% 115% at 25% 25%, #fff, transparent 33%),
    radial-gradient(15% 15% at 75% 75%, #80dfff, transparent),
    radial-gradient(100% 100% at 50% 25%, transparent, #66d9ff 98%);
  border: 1px solid #b3ecff;
  border-radius: 100%;
  height: 50px;
  width: 50px;
}

We are using background with multiple values and a border to make the bubble effect — but it’s not very dynamic. We know the border-radius will always be the same. And we know the structure of the border and background will not change. But the values used within those properties and the other property values could all be random.

Let’s refactor the CSS to make use of variables:

.bubble {
  --size: 50;
  --hue: 195;
  --bubble-outline: hsl(var(--hue), 100%, 50%);
  --bubble-spot: hsl(var(--hue), 100%, 75%);
  --bubble-shade: hsl(var(--hue), 100%, 70%);
  background: radial-gradient(100% 115% at 25% 25%, #fff, transparent 33%),
    radial-gradient(15% 15% at 75% 75%, var(--bubble-spot), transparent),
    radial-gradient(100% 100% at 50% 25%, transparent, var(--bubble-shade) 98%);
  border: 1px solid var(--bubble-outline);
  border-radius: 100%;
  height: calc(var(--size) * 1px);
  width: calc(var(--size) * 1px);
}

That’s a good start. 👍

See the Pen
Bubbles foundation
by Jhey (@jh3y)
on CodePen.

Let’s add some more bubbles and leverage the inline scope to position them as well as size them. Since we are going to start randomizing more than one value, it’s handy to have a function to generate a random number in range for our markup.

- const randomInRange = (max, min) => Math.floor(Math.random() * (max - min + 1)) + min

With Pug, we can utilize iteration to create a large set of bubbles:

- const baseHue = randomInRange(0, 360)
- const bubbleCount = 50
- let b = 0
while b < bubbleCount
  - const size = randomInRange(10, 50)
  - const x = randomInRange(0, 100)
  .bubble(style=`--x: ${x}; --size: ${size}; --hue: ${baseHue}`)
  - b++

Updating our .bubble styling allows us to make use of the new inline variables.

.bubble {
  left: calc(var(--x) * 1%);
  position: absolute;
  transform: translate(-50%, 0);
}

Giving us a random set of bubbles:

See the Pen
Adding bubbles
by Jhey (@jh3y)
on CodePen.

Let’s take it even further and animate those bubbles so they float from top to bottom and fade out.

.bubble {
  animation: float 5s infinite ease-in-out;
  top: 100%;
}

@keyframes float {
  from {
    opacity: 1;
    transform: translate(0, 0) scale(0);
  }
  to {
    opacity: 0;
    transform: translate(0, -100vh) scale(1);
  }
}

See the Pen
Bubbles rising together
by Jhey (@jh3y)
on CodePen.

That’s pretty boring. They all do the same thing at the same time. So let’s randomize the speed, delay, end scale and distance each bubble is going to travel.

- const randomInRange = (max, min) => Math.floor(Math.random() * (max - min + 1)) + min
- const baseHue = randomInRange(0, 360)
- const bubbleCount = 50
- let b = 0
while b < bubbleCount
  - const size = randomInRange(10, 50)
  - const delay = randomInRange(1, 10)
  - const speed = randomInRange(2, 20)
  - const distance = randomInRange(25, 150)
  - const scale = randomInRange(100, 150) / 100
  - const x = randomInRange(0, 100)
  .bubble(style=`--x: ${x}; --size: ${size}; --hue: ${baseHue}; --distance: ${distance}; --speed: ${speed}; --delay: ${delay}; --scale: ${scale}`)
  - b++

And now, let’s update our styles

.bubble {
  animation-name: float;
  animation-duration: calc(var(--speed) * 1s);
  animation-delay: calc(var(--delay) * -1s);
  animation-iteration-count: infinite;
  animation-timing-function: ease-in-out;
}

@keyframes float {
  from {
    opacity: 1;
    transform: translate(-50%, 0) scale(0);
  }
  to {
    opacity: 0;
    transform: translate(-50%, calc(var(--distance) * -1vh)) scale(var(--scale));
  }
}

And we will get this:

See the Pen
Random bubble scene using variable scope 😎
by Jhey (@jh3y)
on CodePen.

With around 50 lines of code, you can create a randomly generated animated scene by honing the power of the scope! 💪

That’s it!

We can create some pretty cool things with very little code by putting CSS variables to use and leveraging some little tricks.

I do hope this article has raised some awareness for the power of CSS variable scope and I do hope you will hone the power and pass it on 😎

All the demos in this article are available in this CodePen collection.

The post The Power (and Fun) of Scope with CSS Custom Properties appeared first on CSS-Tricks.

ebay: The best gift

Post pobrano z: ebay: The best gift

Film
Ebay

Advertising Agency:Moonlike – M&C SAATCHI, France
Production Company:Left Productions
Director:Jules Renault
Producer:Robin Psl
Production Manager:Suzon Thommen
Director Assistant:Jordan Clement
Production Coordinator:Benoit Berland
Production Assistant:Magali Mennessier
DoP:Manu Bernard
1st AC:Titi Mouth
2nd AC:Timothé Thomasson
Machinery:Guillaume Grandin
Chef electro:Pauline Raimbault
Electro:Thomas Duprez
Electro reinforcement:Morgan Dandre
Regie:Clelia Tipi
Set Designer:Jérôme Nicol
Decoration assistants:Pierre Bertet, Hugo Minonne
Stylist:Clara Lola
Makeup:Gauthier Joseph
Trainer:José Cabreira
Postproduction Manager:Morgane Hnnt
Editing:Paume, Tuan Hô, Bissane Kim, Damien Leclercq
Animation:Paume, Tuan Hô, Bissane Kim, Damien Leclercq
Color Grading:Florian Martiny
Composition:Po Gtr, Jim Calamel, Bon Enfant Production
Mix & Sound Design:Po Gtr, Jim Calamel, Bon Enfant Production

ebay: The best gift

Post pobrano z: ebay: The best gift

Film
Ebay

Advertising Agency:Moonlike – M&C SAATCHI, France
Production Company:Left Productions
Director:Jules Renault
Producer:Robin Psl
Production Manager:Suzon Thommen
Director Assistant:Jordan Clement
Production Coordinator:Benoit Berland
Production Assistant:Magali Mennessier
DoP:Manu Bernard
1st AC:Titi Mouth
2nd AC:Timothé Thomasson
Machinery:Guillaume Grandin
Chef electro:Pauline Raimbault
Electro:Thomas Duprez
Electro reinforcement:Morgan Dandre
Regie:Clelia Tipi
Set Designer:Jérôme Nicol
Decoration assistants:Pierre Bertet, Hugo Minonne
Stylist:Clara Lola
Makeup:Gauthier Joseph
Trainer:José Cabreira
Postproduction Manager:Morgane Hnnt
Editing:Paume, Tuan Hô, Bissane Kim, Damien Leclercq
Animation:Paume, Tuan Hô, Bissane Kim, Damien Leclercq
Color Grading:Florian Martiny
Composition:Po Gtr, Jim Calamel, Bon Enfant Production
Mix & Sound Design:Po Gtr, Jim Calamel, Bon Enfant Production

Simplified Fluid Typography

Post pobrano z: Simplified Fluid Typography

Fluid typography is the idea that font-size (and perhaps other attributes of type, like line-height) change depending on the screen size (or perhaps container queries if we had them).

The core trickery comes from viewport units. You can literally set type in viewport units (e.g. font-size: 4vw), but the fluctuations in size are so extreme that it’s usually undesirable. That’s tampered by doing something like font-size: calc(16px + 1vw). But while we’re getting fancy with calculations anyway, the most common implementation ended up being an equation to calculate plain English:

I want the type to go between being 16px on a 320px screen to 22px on a 1000px screen.

Which ended up like this:

html {
  font-size: 16px;
}
@media screen and (min-width: 320px) {
  html {
    font-size: calc(16px + 6 * ((100vw - 320px) / 680));
  }
}
@media screen and (min-width: 1000px) {
  html {
    font-size: 22px;
  }
} 

That’s essentially setting a minimum and maximum font size so the type won’t shrink or grow to anything too extreme. „CSS locks” was a term coined by Tim Brown.

Minimum and maximum you say?! Well it so happens that functions for these have made their way into the CSS spec in the form of min() and max().

So we can simplify our fancy setup above with a one-liner and maintain the locks:

html {
  font-size: min(max(16px, 4vw), 22px);
}

We actually might want to stop there because even though both Safari (11.1+) and Chrome (79+) support this at the current moment, that’s as wide as support will get today. Speaking of which, you’d probably want to slip a font-size declaration before this to set an acceptable fallback value with no fancy functions.

But as long as we’re pushing the limits, there is another function to simplify things even more: clamp()! Clamp takes three values, a min, max, and a flexible unit (or calculation or whatever) in the middle that it will use in case the value is between the min and max. So, our one-liner gets even smaller:

body {
  font-size: clamp(16px, 4vw, 22px);
} 

That’ll be Chrome 79+ (which doesn’t hasn’t even dropped to stable but will very soon).

Uncle Dave is very happy that FitText is now a few bytes instead of all-of-jQuery plus 40 more lines. Here is us chucking CSS custom properties at it:

See the Pen
FitText in CSS with clamp()
by Dave Rupert (@davatron5000)
on CodePen.

The post Simplified Fluid Typography appeared first on CSS-Tricks.