Post pobrano z: Strava “My year in sport”

Post pobrano z: Strava “My year in sport”

Post pobrano z: STZAP #5

Post pobrano z: A well camouflaged copycat? / Duo sur canapé
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| THE ORIGINAL? ESPN TV Channel “all day, everyday” – 2008 Source : Cannes Lions BRONZE Agency : Saatchi & Saatchi (Singapore) |
LESS ORIGINAL Century Link “300HD TV channels” – 2017 Source : Luerzer’s Archive Agency : Arnold, Boston (USA) |
Post pobrano z: An unscheduled coincidence / Une coïncidence non planifiée?
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| THE ORIGINAL? Mc Donald’s– 2017 “schedule some time for a classic” Source : Coloribus Agency : Cossette Vancouver (Canada) |
THE ORIGINAL? Mc Donald’s – 2017 “you’ve earned it” Cannes Lions BRONZE Agency : THJNK (Germany) |
Post pobrano z: A Huge Directory of Free Fonts that You Can Download
Typically, if you’re looking for a free font, the choices many websites offer tend to be somewhat limited. On the other hand, when a website offers thousands of free fonts, it sounds almost too good to be true.
You can also be excused for wondering how you could ever find a free font that meets your needs if you have to sift through thousands of potential candidates.
FFonts.net offers more than just a few thousand free fonts. This website has in fact compiled tens of thousands of free fonts; somewhere between 40,000 and 50,000 to be more exact; all neatly placed in 87 different categories.
Whenever you come across a free font that appeals to you, you can preview it, add it to your wish list, download it, or continue your search if it’s not exactly to your liking.
FFonts makes it all sound easy, and it is.
FFonts’ categories are listed on the left side of their web page. As you scroll down, you’ll find categories containing just a few fonts, many that contain several hundred different fonts, and a few that have several thousand to offer.
There’s an 88th category that contains roughly 25,000 fonts that have yet to be categorized or can’t easily be placed in a specific category.
Are you looking for fonts that were popular in the 50s, 60s, or 80s? What about Art Deco, Art Nouveau, Classic, or Calligraphic fonts? There are selections of Formal fonts, Industrial fonts, Corporate fonts, and Professional fonts that could fit in with the appropriate website designs.
Plenty of wild and weird font styles are available and ready for you to browse through in the Quirky fonts, Wild fonts, Messy Fonts, and Funky fonts categories.
If you’re in need of a high-tech font style, there’s a Hi-Tech category, a Computer category, and a Sci-Fi category; and the list goes on. Serif and Sans Serif fonts haven’t been forgotten either.
You can zero in on the font you’re looking for, or one that’s close enough, by entering a name or keyword in the search box, browsing through a given category, or searching alphabetically.
Bear in mind that browsing through such a large collection of fonts can easily become addictive, and succumbing to impulse shopping when looking through such a large collection is not unheard of.
Fortunately, FFonts provides a wish list you can add to for eventual downloading.
Once you’ve found the font you want, click on it for a preview. You’ll be provided with a list of characters the font supports and upper and lower-case examples. There’s also a box where you can enter a string of text to get a better picture of how the font will appear in actual use.
The preview page also includes download, web download, wish list, and share buttons.
There’s no need to register to download one or more free fonts. You’re limited to 50 per day; more than enough for most purposes. After you hit the download button, you’ll receive an exec file. When you run the exec file, a zip file will be placed on your computer. When you open it, you’ll be presented with several boxes. You’ll probably want to uncheck most or all of them and select “Custom Installation” to avoid having programs you probably don’t want or need installed on your computer.
The FFonts website’s FAQ page provides details on how to install a font under Windows, Mac OS, and Linux. It also contains a cautionary note that suggests installing1,000 fonts or more could slow your computer’s operation.
If you plan to download multiple fonts at once, simply add them to your wish list. All you have to do is hold down the CTRL key and click on each font on your wish list you want to download.
FFonts has been on the web for more than 8 years. There were some complaints in years past regarding malware and spanning, but they appear to have been addressed. You’ll still want to make use of the custom installation option to avoid having extras added to your computer (a different browser for example); or, you can opt for the Premium Version to avoid the issue entirely.
Neither Norton Safe Web or McAfee findings reported any security issues, and Scam Advisor gives FFonts a highly trusted rating. The bottom line is that FFonts is safe to use.
The FFonts Premium Version is ideal for heavy users. This version enables you to download up to 200 font files and/or 200 web font files per day (versus the standard 50). You also have the option to download the FFonts’ 14,000 font collection.
A premium feature that both heavy and occasional users will like is the absence of ads, allowing you to avoid the possibility of mistakenly downloading a program you don’t want. Priced at $29 per year, the Premium Version is quite affordable.
Thousands of fonts may sound like a huge number, but having a resource like FFonts to tap into all but guarantees you’ll find the font you need. So many cool and unusual fonts can also inspire you to try new and different design approaches.
As far as pros and cons are concerned, the only real negative about this website are the ads that accompany the standard version downloads. These can, however, be avoided by using custom search, or by selecting the premium version. The preview pages are a definite plus, as is the well thought out font categorization scheme, and the wish list feature that allows you to save fonts and download them later.
Post pobrano z: Get a free .design domain today!

.com is not the only option when you shop for a domain anymore. For design professionals, the .design domain is THE new branding tool to improve your online presence. Creative and precise, .design has been adopted by some of the most innovative companies (see facebook.design, airbnb.design, kohler.design, atlassian.design) and thousands of individuals and agencies. Take the advantage and claim your free .design domain today. Offer also includes 1 year free email hosting (WHOIS privacy and SSL certs are always free!).
As a designer, you probably understand the need of diversity in marketing and communication better than most, and you would really stand out if you don’t only get a .design domain for yourself or your business, but also for your clients. In the era of design thinking, design is not only associated with creating pretty things (which was never the role of design by the way), but also with a thinking process and product-oriented thinking.
Who refuses free stuff? Nobody! And that’s exactly what is offered here, a free .design domain for a year, so don’t miss the chance. Start thinking about domain names for your promotion now.
Click here to claim your free .design name!
Post pobrano z: Design deals for the week
Every week, we’ll give you an overview of the best deals for designers, make sure you don’t miss any by subscribing to our deals feed. You can also follow the recently launched website Type Deals if you are looking for free fonts or font deals.
Darwin Pro comes in 7 weights plus italics and includes alternative characters available as an OpenType feature as well as oldstyle figures, numerators and denominators.
$17 instead of $189 – Get it now!

Or go for a full rebranding now, with huge availability in the .TECH domain world! And we’ve arranged a phenomenal deal for you to get your choice of a 1-year, 5-year or 7-year .TECH registration for a whoping 90% off, starting at just $2.99!
$2.99 instead of $49.99 – Get it now!

This powerful tool creates a personal knowledge base for you to easily and quickly communicate across all of your devices! Simply save snippets (emails, signatures, sentences, blocks of code, etc.) and call them up with a quick keyboard shortcut, with all your snippets synchronized across all your devices!
$19 instead of $39.96 – Get it now!

Made up of 3 unique weights, this professional script font also features a shadow layer for each, resulting in 6 total fonts. With loads of OpenType features, you’ll have the perfect typeface for everything from menus to logos.
$15 instead of $71 – Get it now!

Add a little light to your latest project with this illuminating set of Adobe Illustrator brushes from Artifex Forge! You’ll get 28 flexible neon tube brushes that were sourced from real neon lights, to give your artwork a true-to-life feel. With multiple highlight options and a full-on walk-through guide, this deal is sure to brighten your day.
$7 instead of $15 – Get it now!

Post pobrano z: Chatty feet artistic box: when Feet Mondrian meets Jackson Pollsock

If you think socks are just something you wear for protecting your feet from the cold and from friction in your shoes, think again! Canadian Prime Minister Justin Trudeau has a long history of stealing the show by wearing shiny socks (while still wearing a suit), the New York Times even wrote an article on his “socks diplomacy“. Recently, it’s Leo Varadkar, Ireland’s Prime Minister, who grabbed everybody’s attention with his socks while meeting… Justin Trudeau!
Whether you want to start a political career or just like cool socks, Chatty Feet got you covered (or at least your feet). They regularly release new cool socks, and this artistic set is the latest example. Including Basquiatoe, Feet Mondrian, Jackson Pollsock, and Sole-Adore Dali, this box is everthing an art lover would dream of. Perfect for a gift to your artsy friends… or for a Canadian Prime Minister.




Post pobrano z: Print Odyssey: The ultimate Printing Survival Kit for Graphic Designers

Being a graphic designer, it can be tedious to explain your clients how the work you are doing for them will be printed, folded, and binded. Even if you show them mockups or explain them in details, it’s not the same as seeing it in real.
A Print Odyssey solves that problem, it provides you with plenty of the most common prints you may create for your clients, making your communication with them much easier. It comes in one big box that you can store convienently and take out for client meetings. The box comprises the following:

We took a few photos of the box and its content, but you will see everything in the unboxing video.
If you feel ready to improve your workflow and relationship with customers, you can get your own copy of the box at a discounted price using the following coupon: designerdaily




Post pobrano z: Glue Cross-Browser Responsive Irregular Images with Sticky Tape
I recently came across this Atlas of Makers by Vasilis van Gemert. Its fun and quirky appearance made me look under the hood and it was certainly worth it! What I discovered is that it was actually built making use of really cool features that so many articles and talks have been written about over the past few years, but somehow don’t get used that much in the wild – the likes of CSS Grid, custom properties, blend modes, and even SVG.
SVG was used in order to create the irregular images that appear as if they were glued onto the page with the pieces of neon sticky tape. This article is going to explain how to recreate that in the simplest possible manner, without ever needing to step outside the browser. Let’s get started!
The first thing we do is pick an image we start from, for example, this pawesome snow leopard:

The next thing we do is get a rough polygon we can fit the cat in. For this, we use Bennett Feely’s Clippy. We’re not actually going to use CSS clip-path since it’s not cross-browser yet (but if you want it to be, please vote for it – no sign in required), it’s just to get the numbers for the polygon points really fast without needing to use an actual image editor with a ton of buttons and options that make you give up before even starting.
We set the custom URL for our image and set custom dimensions. Clippy limits these dimensions based on viewport size, but for us, in this case, the actual dimensions of the image don’t really matter (especially since the output is only going to be % values anyway), only the aspect ratio, which is 2:3 in the case of our cat picture.

We turn on the „Show outside clip-path” option on to make it easier to see what we’ll be doing.

clip-path” option.We then choose to use a custom polygon for our clipping path, we select all the points, we close the path and then maybe tweak some of their positions.
This has generated the CSS clip-path code for us. We copy just the list of points (as % values), bring up the console and paste this list of points as a JavaScript string:
let coords = '69% 89%, 84% 89%, 91% 54%, 79% 22%, 56% 14%, 45% 16%, 28% 0, 8% 0, 8% 10%, 33% 33%, 33% 70%, 47% 100%, 73% 100%';
We get rid of the % characters and split the string:
coords = coords.replace(/%/g, '').split(', ').map(c => c.split(' '));
We then set the dimensions for our image:
let dims = [736, 1103];
After that, we scale the coordinates we have to the dimensions of our image. We also round the values we get because we’re sure not to need decimals for a rough polygonal approximation of the cat in an image that big.
coords = coords.map(c => c.map((c, i) => Math.round(.01*dims[i]*c)));
Finally, we bring this to a form we can copy from dev tools:
`[${coords.map(c => `[${c.join(', ')}]`).join(', ')}]`;

Now we move on to generating our SVG with Pug. Here’s where we use the array of coordinates we got at the previous step:
- var coords = [[508, 982], [618, 982], [670, 596], [581, 243], [412, 154], [331, 176], [206, 0], [59, 0], [59, 110], [243, 364], [243, 772], [346, 1103], [537, 1103]];
- var w = 736, h = 1103;
svg(viewBox=[0, 0, w, h].join(' '))
clipPath#cp
polygon(points=coords.join(' '))
image(xlink:href='snow_derpard.jpg'
width=w height=h
clip-path='url(#cp)')
This gives us the irregular shaped image we’ve been after:
See the Pen by thebabydino (@thebabydino) on CodePen.
Now let’s move on to the pieces of sticky tape. In order to generate them, we use the same array of coordinates. Before doing anything else at this step, we read its length so that we can loop through it:
-// same as before
- var n = coords.length;
svg(viewBox=[0, 0, w, h].join(' '))
-// same as before
- for(var i = 0; i < n; i++) {
- }
Next, within this loop, we have a random test to decide whether we have a strip of sticky tape from the current point to the next point:
- for(var i = 0; i < n; i++) {
- if(Math.random() > .5) {
path(d=`M${coords[i]} ${coords[(i + 1)%n]}`)
- }
- }
At first sight, this doesn’t appear to do anything.
However, this is because the default stroke is none. Making this stroke visible (by setting it to an hsl() value with a randomly generated hue) and thicker reveals our sticky tape:
stroke: hsl(random(360), 90%, 60%);
stroke-width: 5%;
mix-blend-mode: multiply
We’ve also set mix-blend-mode: multiply on it so that overlap becomes a bit more obvious.
See the Pen by thebabydino (@thebabydino) on CodePen.
Looks pretty good, but we still have a few problems here.
The first and most obvious one being that this isn’t cross-browser. mix-blend-mode doesn’t work in Edge (if you want it, don’t forget to vote for it). The way we can get a close enough effect is by making the stroke semitransparent just for Edge.
My initial idea here was to do this in a way that’s only supported in Edge for now: using a calc() value whose result isn’t an integer for the RGB components. The problem is that we have an hsl() value, not an rgb() one. But since we’re using Sass, we can extract the RGB components:
$c: hsl(random(360), 90%, 60%);
stroke: $c;
stroke: rgba(calc(#{red($c)} - .5), green($c), blue($c), .5)
The last rule is the one that gets applied in Edge, but is discarded due to the calc() result in Chrome and simply due to the use of calc() in Firefox, so we get the result we want this way.

stroke rule seen as invalid in Chrome (left) and Firefox (right) dev tools.However, this won’t be the case anymore if the other browsers catch up with Edge here.
So a more future-proof solution would be to use @supports:
path {
$c: hsl(random(360), 90%, 60%);
stroke: rgba($c, .5);
@supports (mix-blend-mode: multiply) { stroke: $c }
}
The second problem is that we want our strips to expand a bit beyond their end points. Fortunately, this problem has a straightforward fix: setting stroke-linecap to square. This effectively makes our strips extend by half a stroke-width beyond each of their two ends.
See the Pen by thebabydino (@thebabydino) on CodePen.
The final problem is that our sticky strips get cut off at the edge of our SVG. Even if we set the overflow property to visible on the SVG, the container our SVG is in might cut it off anyway or an element coming right after might overlap it.
So what we can try to do is increase the viewBox space all around the image by an amount we’ll call p that’s just enough to fit our sticky tape strips.
-// same as before
- var w1 = w + 2*p, h1 = h + 2*p;
svg(viewBox=[-p, -p, w1, h1].join(' '))
-// same as before
The question here is… how much is that p amount?
Well, in order to get that value, we need to take into account the fact that our stroke-width is a % value. In SVG, a % value for something like the stroke-width is computed relative to the diagonal of the SVG region. In our case, this SVG region is a rectangle of width w and height h. If we draw the diagonal of this rectangle, we see that we can compute it using Pythagora’s theorem in the yellow highlighted triangle.
viewBox width and height.So our diagonal is:
- var d = Math.sqrt(w*w + h*h);
From here, we can compute the stroke-width as 5% of the diagonal. This is equivalent to multiplying the diagonal (d) with a .05 factor:
- var f = .05, sw = f*d;
Note that this is moving from a % value (5%) to a value in user units (.05*d). This is going to be convenient as, by increasing the viewBox dimensions we also increase the diagonal and, therefore, what 5% of this diagonal is.
The stroke of any path is drawn half inside, half outside the path line. However, we need to increase the viewBox space by more than half a stroke-width. We also need to take into account the fact that the stroke-linecap extends beyond the endpoints of the path by half a stroke-width:
stroke-width and stroke-linecap: square.Now let’s consider the situation when a point of our clipping polygon is right on the edge of our original image. We only consider one of the polygonal edges that have an end at this point in order to simplify things (everything is just the same for the other one).
We take the particular case of a strip along a polygonal edge having one end E on the top edge of our original image (and of the SVG as well).

We want to see by how much this strip can extend beyond the top edge of the image in the case when it’s created with a stroke and the stroke-linecap is set to square. This depends on the angle formed with the top edge and we’re interested in finding the maximum amount of extra space we need above this top boundary so that no part of our strip gets cut off by overflow.
In order to understand this better, the interactive demo below allows us to rotate the strip and get a feel for how far the outer corners of the stroke creating this strip (including the square linecap) can extend:
See the Pen by thebabydino (@thebabydino) on CodePen.
As the demo above illustrates by tracing the position of the outer corners of the stroke including the stroke-linecap, the maximum amount of extra space needed beyond the image boundary is when the line segment between the endpoint on the edge E and the outer corner of the stroke including the linecap at that endpoint (this outer corner being either A or B, depending on the angle) is vertical and this amount is equal to the length of the segment.
Given that the stroke extends by half a stroke-width beyond the end point, both in the tangent and in the normal direction, it results that the length of this line segment is the hypotenuse of a right isosceles triangle whose catheti each equal half a stroke-width:
stroke-width.Using Pythagora’s theorem in this triangle, we have:
- var hw = .5*sw;
- var p = Math.sqrt(hw*hw + hw*hw) = hw*Math.sqrt(2);
Putting it all together, our Pug code becomes:
/* same coordinates and initial dimensions as before */
- var f = .05, d = Math.sqrt(w*w + h*h);
- var sw = f*d, hw = .5*sw;
- var p = +(hw*Math.sqrt(2)).toFixed(2);
- var w1 = w + 2*p, h1 = h + 2*p;
svg(viewBox=[-p, -p, w1, h1].join(' ')
style=`--sw: ${+sw.toFixed(2)}px`)
/* same as before */
while in the CSS we’re left to tweak that stroke-width for the sticky strips:
stroke-width: var(--sw);
Note that we cannot make --sw a unitless value in order to then set the stroke-width to calc(var(--sw)*1px) – while in theory this should work, in practice Firefox and Edge don’t yet support using calc() values for stroke-* properties.
The final result can be seen in the following Pen:
See the Pen by thebabydino (@thebabydino) on CodePen.
Glue Cross-Browser Responsive Irregular Images with Sticky Tape is a post from CSS-Tricks