Post pobrano z: How to Create an Alice in Wonderland Inspired Afternoon Tea Invite in Adobe InDesign

Anyone for tea? This cute and quirky two-part invite won’t fail to make your friends smile! 

Inspired by the Mad Hatter’s infamous tea party ritual, this invite would work really well for vintage- or Alice-themed events. 

In this tutorial suitable for beginner to intermediate InDesign users, we’ll create the layout in InDesign and dip into Illustrator briefly to edit vector graphics for the design.

Looking for a different style of invite for your next event? You can find a huge range of easy-to-edit invite templates over on GraphicRiver and Envato Elements.

What You’ll Need to Create Your Invite

You’ll need to download the following graphics and font files to create the design pictured here:

• Set of vector teapots
• Set of vector frames
• Herbert Lemuel font pack
• Painting of yellow and red flowers
• Illustration of vintage flowers

Make sure to save your images to a safe folder and install the fonts on your computer.

1. How to Create a Teapot Backdrop for Your Invite

Step 1

Open InDesign and go to File > New > Document. 

Set the Width of the page to 7.895 in and Height to 5.5 in. Uncheck Facing Pages.

Add a Bleed of 0.25 in to all edges of the page and click Create.

Step 2

Expand the Layers panel (Window > Layers) and double-click on Layer 1. Rename it Background and click OK.

Create three more new layers in this order: Teapot, Frame, and finally Type at the top of the sequence.

Lock all the layers except Teapot, which we’ll work on first.

Step 3

Expand the Swatches panel (Window > Color > Swatches) and click on New Color Swatch in the panel’s main drop-down menu (at top-right). 

Name the swatch Soft White, and set the Type to Process and Mode to CMYK. Set the levels below to C=1 M=1 Y=2 K=0, and then click Add and OK.

Repeat the process to create three more CMYK swatches with the following names and values:

• Green: C=81 M=31 Y=100 K=21
• Bright Red: C=8 M=100 Y=78 K=0
• Off-Black: C=77 M=74 Y=58 K=83

Step 4

Briefly minimize, but don’t close, the InDesign window. 

Open the teapot vector set in Adobe Illustrator, and isolate the teapot at the far left of the second row. Delete the floral pattern on the teapot, so you have only the silhouette remaining.

Select both the main teapot and the teapot’s lid with your mouse, and open the Pathfinder panel (Window > Pathfinder). Click Unite.

With the shape united, select it and head up to Edit > Copy. Then minimize the Illustrator window.

Step 5

Head back to your InDesign document and Edit > Paste to drop the vector directly onto the Teapot layer.

Scale the teapot so that it fills the page neatly, taking it up to the trim edge of the page on all sides.

From the Swatches panel (Window > Color > Swatches) ensure the Stroke and Fill Color of the vector is set to [None].

Then, with the teapot selected, go to File > Place. Navigate to the image of yellow and red flowers and click Open, allowing it to fill the teapot completely. 

Extend the image up to the bleed edge (indicated by the bounding box highlighted).

Step 6

Set your cursor inside the teapot to select the flower image directly (a circular symbol will appear in the middle of the image), and Edit > Copy.

Click anywhere else on the page to deselect the teapot, and Edit > Paste in Place. 

When you expand the Teapot layer, you’ll now see two copies of the image, with the larger version at the top. 

Unlock the Background layer, and drag the top flower image down, dropping it into this layer. This creates a seamless backdrop for the design and allows for any trimming errors to be minimised.

2. How to Create a Cute Frame for the Type on Your Invite

Step 1

Lock and switch off the visibility of the Background layer, and unlock the Frame layer. 

Open the vector frames set in Illustrator. Identify the frame on the second row down, second left along. 

Select it and Edit > Copy.

Head back to InDesign and Edit > Paste, dropping it onto the Frame layer. From the Swatches panel, adjust the Fill to Soft White and position the frame centrally on the teapot.

When you’re happy with the position and size of the frame, Edit > Copy it. We’ll use this later.

Step 2

With the frame selected, head up to Object > Effects > Drop Shadow. 

Bring the Opacity down to around 70% and add about 5% Noise, before clicking OK. 

Edit > Paste a second frame on top of the first, scale it down slightly, and position it inside the edge of the original as shown below. Set the Fill to [None] and Stroke Color to Green.

From the Stroke panel (Window > Stroke), increase the Weight of the frame’s stroke to 5 pt, and choose Thick-Thick from the Type menu in the panel. 

3. How to Format Quirky Typography on Your Invite

Step 1

Lock the Frame layer and unlock the layer above, Type.

Take the Type Tool (T) and drag across the frame, centering it towards the top. 

Type in ‘You’re invited to the’ and from either the top Controls panel or the Character panel (Window > Type & Tables > Character), set the Font to Herbert Lemuel Sans, Size 10 pt, and text to Align Center. 

Set the Font Color to Green from the Swatches panel.

Step 2

Create a second text frame below, typing in ‘MAD HATTER’S’ and setting the Font to Herbert Lemuel Dots, Size 15 pt, and Font Color to Bright Red.

Copy and Paste the text frame below, adjusting the text to read ‘TEA PARTY’, increasing the Font Size to 29 pt and adjusting the Font Color to Off-Black. 

Add more text frames below this, typing in:

‘Please don’t be late for this very important date:’

‘[Date] at [time]’

‘[Location]’

Set the Font to a mix of Herbert Lemuel Regular, Sans, and Dots, and use Green and Bright Red for the Font Colors.

4. How to Create the Other Part of Your Invite

Note: If you’re printing your invite from a home printer, you may find it easier to create two separate parts to your invite (as I’ve done here), as lining up home or office printers for two-sided printing can be tricky. Even if you’re going to print the invite professionally, you may want to provide it as two pieces. To do this, you can follow the steps below as they are.

However, if you’re going to print your invite professionally and want to create a double-sided invite, you will need to observe the following steps, but make sure to FLIP the teapot for the reverse side horizontally. I’ll flag up when you should do this below.

Step 1

With the first part of your invite finished, you can either keep this as it is and skip forward to Step 5.1, or create another part or side of your invite if you like.

To do this, expand the Pages panel (Window > Pages) and drag the Page 1 icon down onto the Create New Page button at the bottom of the panel, to duplicate it. 

Step 2

Switch off the visibility of all layers except Teapot. File > Place the vintage flowers image into the teapot, extending the edge of the image up to the bleed, as we did earlier.

Select the flower image inside the teapot directly and Edit > Copy it. Click outside of the teapot and Edit > Paste in Place. 

Then move this pasted flower image onto the Background layer below*.

* If you want to create a double-sided invite (rather than two separate invites), here you should unlock both the Teapot and Background layers. Select all elements on these layers (on Page 2) and Right-Click > Transform > Flip Horizontal. Move them back into a central position on the page. 

Step 3

Lock the Background and Teapot layers, and unlock the Frame layer. 

Adjust the Fill of the frame at the back to Off-Black. 

Step 4

Unlock the Type layer at the top, and adjust the text here to read more details about the event, such as dress code, directions to the venue, or RSVP details.

Set the Font Color to Soft White for contrast.

5. How to Set Up Your Invite for Laser Cutting

To achieve that lovely teapot shape in your final invite, you’ll have to set up your artwork with a die line. This is not too tricky to do!

Step 1

Scrolling up to Page 1, unlock the Teapot layer and select the teapot shape. Edit > Copy it.

Edit > Paste in Place the teapot, and expand the Teapot layer to identify this pasted copy.

Create a new layer in the Layers panel at the top of the layers sequence, calling it DIE-LINE. 

Drag the top teapot shape into this layer, and lock the Teapot layer afterwards.

Step 2

Remove the image from the teapot shape, leaving a blank vector shape behind.

From the Swatches panel, choose New Color Swatch from the panel’s drop-down menu. 

Name the swatch DIE LINE MAGENTA, and set the Color Type to Spot. Set the levels to 100% Magenta, and click Add and then OK. 

Apply this new swatch to the Stroke of the teapot shape. 

Step 3

With the teapot shape selected, go to Window > Output > Attributes. 

Check the Overprint Stroke and, if available, the Nonprinting box.

Step 4

Select the teapot, and Edit > Copy it. 

Scroll down to Page 2 (if you have created a second part to the invite) and Edit > Paste in Place*.

* For a double-sided invite, you will also have to flip the die line, by Right-Clicking > Transform > Flip Horizontal, and moving into the correct position. 

6. How to Export Your Invite

Step 1

Make sure all the layers in your InDesign document are visible*.

Then head up to File > Export. Choose Adobe PDF (Print) from the Format menu at the bottom, and click Save. 

Set the Adobe PDF Preset at the top to PDF/X-1A:2001, which is the best preset for exporting die lines.

* Some printers will prefer to work with a separate die line document, so make sure to check their preferences before you export your file.

Step 2

Click on Marks and Bleeds in the window’s left-hand menu. 

Check All Printer’s Marks and Use Document Bleed Settings. 

Then you’re ready to click Export, and create your ready-to-print file! Great job!

Conclusion: Your Finished Invite

Your Alice-themed invitation is finished and ready for printing. Awesome work! 

In this tutorial we’ve covered tons of useful skills for applying to print design and invite design. 

Looking for more invite designs? A template is always a good place to start. You can find tons of easy-to-edit invite templates over on GraphicRiver and Envato Elements.

If you’re hungry for more tutorials which use die lines to create cool print shapes, make sure to check these out:

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Post pobrano z: How to Create a Wonderland Photo Manipulation With Adobe Photoshop

In this tutorial I’ll show you how to use Adobe Photoshop to create a photo manipulation scene based on „Alice in Wonderland”. 

First, we’ll build the base scene using several stock images. After that, we’ll add flowers and plants, create a tree, import mushrooms, and blend them together using adjustment layers, masking, and brushes. Later, we’ll add a rabbit and eyes for the trees, and we’ll paint some mist to increase the dreamy feeling in the scene. We’ll use several adjustment layers to complete the final effect.

Tutorial Assets

The following assets were used during the production of this tutorial:

• Forest 
• Path 1 
• Path 2 
• Plants 1 
• Plants 2 
• Flower 1 
• Flower 2 
• Tree 1 
• Tree 2 
• Tree 3 
• Mushroom 1 
• Mushrooms 2 
• Mushroom 3 
• Mushroom 4 
• Mushroom 5 
• Mushrooms 6 
• Mushrooms 7 
• Rabbit 
• Eyes
  

1. How to Build the Base Scene

Step 1

Create a new 2000 x 1333 px document in Photoshop with the given settings:

Step 2

Open the forest image. Drag this image into the white canvas using the Move Tool (V).

Step 3

Go to Layer > New Adjustment Layer > Color Balance and set it as Clipping Mask. Alter the Midtones values to make the forest more yellow.

Step 4

Make a Curves adjustment layer to darken the forest. On this layer mask,
activate the Brush Tool (B) and select a soft round one with black
color. Use this brush to erase the far middle of the background as we’re
aiming to add the main light source there.

Step 5

Create another Curves adjustment layer to increase the haze of the
forest, especially the left. Use a soft black brush to paint on the
rest so it won’t be affected by this adjustment layer.

Step 6

Add another Curves adjustment layer to make the forest darker. Paint on the middle so it won’t be darkened.

Step 7

Open the path 1 image and move it into the main canvas. Use the Free
Transform Tool (Control-T) to distort the perspective of the path a bit.

Flip the path horizontally by choosing Edit > Transform > Flip Horizontal.

Step 8

Click the second icon at the bottom of the Layers panel to add a mask to
this layer. Use a soft black brush to remove the fence and both sides
of the path so only the middle part is visible on the existing midground.

Step 9

Use the Lasso Tool to select the sunny area on top of the path and set the feather for it to 10:

Go to Layer > New Adjustment Layer > Hue Saturation and set it as Clipping Mask. Change the Master settings to desaturate this selected area.

Step 10

Use a Color Balance adjustment layer to match the path’s color with the background.

Step 11

Create a Curves adjustment layer to darken the path. On this layer mask,
use a soft black brush to erase the middle and top of the path as it’s
nearer the background light.

Step 12

Make another Curves adjustment layer with the same purpose. The selected area shows where to paint on the layer mask.

Step 13

Add another Curves adjustment layer to make the top of the path hazier.
Paint on the rest so it won’t be affected by this adjustment layer.

2. How to Import the Flowers and Plants

Step 1

Open the path 2 image. Use the Lasso Tool to select the left of the path
with flowers to place it on the left of the main canvas.

Add a mask to this layer and use a soft black brush to remove the hard edges and blend the bottom with the existing ground.

Step 2

Add the right of the flowery path from the original image to the right of the canvas.

Step 3

Select the flowers layers and hit Control-G to make a group for them.
Change this group’s mode to Normal 100% and create a Color Balance
adjustment layer to alter the flowers’ color a little.

Step 4

Make a Curves adjustment layer to darken the flowers. On the layer mask,
use a soft black brush to lighten the effect on the shadow areas.

Step 5

Open the plants 2 image and use the Lasso Tool to select the plants area to add to the right corner of the ground.

Use a layer mask to remove the unwanted red details of the bottom of the plants.

Step 6

Create a Hue Saturation adjustment layer and alter the Midtones values.

Step 7

Add a Curves adjustment layer to bring more light to the plants. Paint
on the right where it’s more hidden from the light than the left.

Step 8

Create another Curves adjustment layer to increase the shadow a bit. The selected area shows where to work on the layer mask.

Step 9

Make a new layer below the plants layer and use a soft brush with the
color #100303 and Opacity about 40% to paint shadows below them.

Step 10

Drag the plants 1 image into our working document and place it on the
right side of the path. Set this layer below the flowery path layers.

Use a layer mask to remove the part covering the midground of the path.

Step 11

Make a Color Balance adjustment layer to alter the Midtones settings, making the plants redder and yellower.

Step 12

Create a Curves adjustment layer to darken the plants.

Step 13

Open the flower 1 image. Cut out the flower using the Magic Wand Tool (W) and place it on the right edge of the main canvas.

Step 14

Go to Filter > Blur > Gaussian Blur and set the Radius to 6 px. This step is to increase the depth of the scene.

Step 15

Make a Hue Saturation adjustment layer to alter the flower’s color.

Step 16

Create a Color Balance adjustment layer to give the flower more orange.

Step 17

Add a Curves adjustment layer to darken the flower. Paint on the front
of the flower where it gets more light from the background.

Step 18

Isolate the
flower 2 and place it on the lower left edge. Apply a Gaussian
Blur of 6 px to this layer to give it some softness and depth.

Step 19

Use a Hue/Saturation adjustment layer to desaturate the flower.

Step 20

Make a Curves adjustment layer to darken the flower. Use a soft black
brush to paint on the front of this flower so it won’t be affected by
this dark effect.

3. How to Composite the Tree

Step 1

Cut out the tree from the tree 1 image and add it to the left side of
the canvas. Use a layer mask to remove the part covering the path.

Step 2

Make a Curves adjustment layer to darken the tree. We’ve aimed to use
the hidden area (shadow one) of this tree only, so use a soft black brush
to erase there.

Step 3

Open the tree 2 image and use the Polygonal Lasso Tool to select the
tree part only. Place it above the tree 1 image and use a layer mask to
blend it with the existing tree.

Step 4

Use a Hue Saturation adjustment layer to match the tree 2 color with the tree 1 color.

Step 5

Create a Curves adjustment layer to darken the tree. Paint on the front details of the tree to keep its lightness.

Step 6

Use another Curves adjustment layer to increase the haze of the root
part beside the top of the path to fit the softness of this place. The
selected area shows where to paint on the layer mask.

Step 7

Make a new layer, change the mode to Overlay 100% and fill with 50% gray.

Activate the Dodge Tool (O) to paint more light for the contour of the
tree. You can see how I did it with Normal mode and the result with
Overlay mode.

Step 8

Cut out tree 3 from the background and add it to the upper part of the
existing tree. Use Control-T with the Warp mode to change the form of
the tree a little.

Go to Edit > Puppet Warp to bend the tree a bit. After that, use a layer mask to blend this part with the existing tree.

Step 9

Make a Curves adjustment layer to make this tree part darker. On this
layer mask, use a soft black brush to reduce the adjustment layer effect
on the areas which you feel are dark enough.

Step 10

Use another Curves adjustment layer to give this tree part, especially the front, a hazy effect.

Step 11

Create a new layer, change the mode to Overlay 100% and fill with 50%
gray. Use the Dodge Tool to bring more light to the contour of this
part.

4. How to Add the Mushrooms

Step 1

Isolate the mushroom 1 from the background and add it to the right side
of the path. Use a layer mask to blend the bottom of the mushroom with
the ground.

Step 2

Make a Color Balance adjustment layer to alter the mushroom’s color a little.

Step 3

Create a Curves adjustment layer to brighten the mushroom. Paint on the
hidden/shadow area of the mushroom so it won’t be affected by this
adjustment layer.

Step 4

Use another Curves adjustment layer to strengthen the shadow area of the
mushroom. Paint on the front of the mushroom to keep its lightness.

Step 5

Create a new layer, change the mode to Overlay 100%, and fill with 50%
gray. Use the Dodge and Burn Tool to refine the light and shadow of the
mushroom.

Step 6

To make a shadow for this mushroom, create a new layer below the mushroom
layer. Hold Control and click the thumbnail of the mushroom layer to
load its selection.

Fill this selection with the color #100303 and flip it vertically. Use
Control-T to transform the shadow to fit the direction of the light
source.

Lower the Opacity of this layer to 50% and apply a Gaussian Blur of 8 px to this layer.

Use a layer mask to reduce the opacity of the shadow, especially the part near the foreground.

Step 7

Open the mushrooms 2 image. Cut out the mushrooms on the left and middle and place them beside the existing mushroom.

Use a layer mask to blend their bottom with the ground.

Step 8

Create a group for these mushroom layers and add a Hue Saturation
adjustment layer within the group to desaturate the mushrooms. Change
the Master values.

Step 9

Make a Color Balance adjustment layer to alter the mushrooms’ color more.

Step 10

Create a Curves adjustment layer to darken the mushrooms, especially the
shadow areas. On the layer mask, paint on the front of the mushrooms
where it’s illuminated by the light.

Step 11

Isolate the mushroom 3 and place it near the top of the path. Use a
layer mask to blend its bottom with the ground as we did with other
objects.

Step 12

Make a shadow for this mushroom as we did with the big mushroom, following the light’s direction.

Step 13

Create a Hue Saturation adjustment layer and alter the Master settings.

Step 14

Make a new layer, change the mode to Overlay 100% and fill with 50% gray. Use the Burn Tool to darken the right of the mushroom.

Step 15

Add a Curves adjustment layer to increase the shadow of the mushroom.
Paint on the left of the mushroom so it won’t be darkened by this
adjustment layer.

Step 16

Make a Curves adjustment layer to improve the haze on the mushroom as
it’s near the background light. On the layer mask, paint on the right
side so it’s less affected by this Curves adjustment layer.

Step 17

Import the mushroom 4 to our working document and make its shadow as we did with other mushrooms.

Step 18

Use a Hue/Saturation adjustment layer to desaturate the mushroom.

Step 19

Make a Curves adjustment layer to darken the mushroom. Paint on its front to reveal the lightness there.

Step 20

Create a new layer, change the mode to Overlay 100%, and fill with 50%
gray. Use the Burn Tool to strengthen the shadow of the mushroom.

Step 21

Continue adding mushroom 5 using a similar method. You can see the screenshots to know
the steps as I won’t bother you by repeating the description.

Step 22

Import mushrooms 6 as we did with the other mushrooms.

Step 23

Add mushrooms 7 using the same method.

5. How to Retouch the Rabbit

Step 1

Open the rabbit image. As it has a transparent background, just use the Move Tool to drag the rabbit onto the tree.

Create a new layer below the rabbit one. Use a soft brush with the color #100303 to paint shadow below his feet.

Step 2

Make his long shadow as we did with the other objects.

Step 3

You can see the light and shadow on the rabbit do not fit the light
from the background. To fix it, use the Dodge Tool to paint highlights on
the contour and front of the rabbit and the Burn Tool to paint shadow
for his other sides.

6. How to Add the Tree’s Eyes

Step 1

Open the owl eyes image. Use the Lasso Tool to select one eye and move
it onto the tree. Use Control-T to distort the eye a bit.

Use a layer mask to blend the eye with the tree trunk.

Step 2

Add another eye to the other side of the tree using the same method.

7. How to Make the Final Adjustments

Step 1

Make a new layer on top of the layers and use a soft brush with the
color #e2e0de and Opacity about 30% and 80-90% to paint some light on
top of the path and around the tree. Use a layer mask to reduce the
opacity of the mist/haze and increase the dreamy, fantasy feeling a bit.

Step 2

Create a Gradient Map adjustment layer on top of the layers and pick the
colors #e10019 and #00601b. Lower the Opacity of this layer to 20%.

Step 3

Make a Color Fill layer and pick the color #1b0505. Change this layer mode to Exclusion 100%.

Step 4

Add a Color Balance adjustment layer and alter the Midtones and Highlights settings.

Step 5

Create a Selective Color adjustment layer to alter the color of the flowers/plants.

Step 6

Make a Photo Filter adjustment layer and pick the color #0048ec.

Create another Photo Filter adjustment layer and change the color to
#00ec1c. On this layer mask, paint on both the sides and the ground so
the effect only works on the middle.

Step 7

Add a Curves adjustment layer to bring more light to the middle. Paint
on the rest so it won’t be affected by this adjustment layer.

Step 8

Use another Curves adjustment layer to increase the shadow of both the sides and the foreground.

Step 9

Create a Vibrance adjustment layer to enhance the final effect.

Congratulations, You’re Done!

I hope that you’ve enjoyed the tutorial and learned something new for
your own projects. Feel free to share your results or leave comments in
the box below. Enjoy Photoshopping!

Post pobrano z: How to Create a Hookah Smoke Text Effect in Adobe Photoshop

This tutorial will show you how to use Photoshop’s work paths, brush settings, and layer styles to create a quick Alice in Wonderland shisha smoke text effect. Let’s get started!

This text effect was inspired by the many Layer Styles available on GraphicRiver.

Tutorial Assets

The following assets were used during the production of this tutorial:

• Multicolore font
• Real Smoke by pstutorialsws
• Smoke Out Brush Set by jennatalia
• Noisy Black Texture 4 by schokcc
• Snow Texture VI 5184 x 3456 Pixels by Moosplauze

1. How to Create the Background and Text Layers

Step 1

Create a new 850 x 850px document. Click the Create new fill or adjustment layer icon at the bottom of the Layers panel, choose Solid Color, and use the Color #0f0e11.

Step 2

Create the text, each letter in a separate layer, using the font Multicolore, and change the Size to 200 pt.

Step 3

Place each letter’s text layer in a group with the letter’s name.

2. How to Create and Save Work Paths

Step 1

Pick the Pen Tool and choose the Path option in the Options bar, and create a work path inside each of the letters you have.

Click once to add corner points, click-drag to add smooth curve points, and Command-click outside the path once you finish it.

You can use the Direct Selection Tool (A) to select and adjust any anchor point as well as its direction points and handles if needed.

Step 2

In order to save a work path and reuse it, open the Paths panel, and double-click the Work Path tab to enter a name for the path you want to save.

Name the path Center and hit OK.

Step 3

Click the Create new path icon at the bottom of the Paths panel to add a new path tab.

Use the Ellipse Tool with the Path option to create a couple of ring shapes around the letters you have, and save the new path tab with the name Rings.

3. How to Modify and Save a Brush Tip

Step 1

Pick the Brush Tool and open the Brush Settings panel.

Choose the Soft Round tip, check the Build-up and Smoothing boxes, and use these settings:

Brush Tip Shape

Shape Dynamics

Scattering

Texture (Use the Clouds pattern).

Transfer

Step 2

Click the Create new brush icon in the bottom right corner of the panel to save the modified brush tip, and name it Smoke.

4. How to Stroke a Work Path

Step 1

Select the Center tab in the Paths panel, pick the Path Selection Tool, and click on the first letter’s work path to select it.

Hide the text layer, and create a new layer on top of it with the letter’s name.

Step 2

Set the Foreground Color to any color you’d like to stroke the path with. The color used here is #d57187.

It is important to save the colors you use as you’ll need them later on.

Pick the Brush Tool (B), and hit the Return key to stroke the selected work path.

5. How to Create a Simple Smoke Style

Double-click the stroked path layer’s group to apply the following layer style:

Step 1

Add an Inner Shadow with these settings:

• Opacity: 35%
• Distance: 0
• Size: 7

Step 2

Add an Inner Glow with these settings:

• Opacity: 75%
• Color: #c2bdbd
• Source: Center
• Size: 16

Step 3

Add a Satin effect with these settings:

• Blend Mode: Multiply
• Color: #c3c3c3
• Opacity: 50%
• Angle: 20
• Distance: 194
• Size: 183
• Contour: Rounded Steps
• Check the Invert box

Step 4

Add an Outer Glow with these settings:

• Opacity: 53%
• Color: #e34065
• Size: 25
• Range: 100%

The Color here should correspond to the one you chose for the original brush tip color, so you should choose a different one if you are using other brush tip colors.

Step 5

Right-click the styled group, and choose Copy Layer Style. Then select the rest of the groups you have, right-click any of them, and choose Paste Layer Style.

Step 6

Repeat the same steps to stroke the rest of the work paths you have.

After that, for each group, double-click it to adjust the Outer Glow effect’s Color to one that matches the brush tip color used for the letter in the group.

The other brush colors used here are #054ae3, #41a614, and #f1a327.

6. How to Warp Objects

Step 1

Select the stroked letter’s layer, press Command-T to enter Free Transform Mode, and click the Warp icon in the Options bar.

Step 2

Click-drag the small sections to warp the letter and get a more dynamic effect, and hit the Return key to commit the changes.

Step 3

Repeat that for the rest of the letters.

7. How to Add Smoke

Step 1

Next, use the Real Smoke and Smoke Out Brush Set tips to add smoke to the letters you created.

Add the smoke on as many new layers as needed, and use the same color as the letter you’re adding the smoke to.

Use different brush tips with very small tip sizes to get the best results.

Step 2

If you feel the brushes are too sharp, you can go to Filter > Blur > Gaussian Blur, and use a Radius value you like to soften the tips a little bit.

Step 3

Create a new layer on top of the Solid Color layer, name it BG Smoke, and use some large smoke brushes to add colored smoke around the text.

Right-click the BG Smoke layer and choose Convert to Smart Object.

Step 4

Blur the smoke quite a lot, and reduce its layer’s Opacity to around 30%.

8. How to Make Final Adjustments

Step 1

Add the Noisy Black Texture 4 image on top of the BG Smoke layer, resize it as needed, and change its layer’s Blend Mode to Color Dodge and its Opacity to 50%.

Step 2

Add the Snow Texture VI 5184 x 3456 Pixels image on top of all layers, resize it as needed, and change its layer’s Blend Mode to Screen and its Opacity to 10%.

Step 3

Go to Filter > Pixelate > Mezzotint, and change the Type to Long Strokes.

Step 4

Add a Vibrance adjustment layer on top of all layers, and change the Vibrance value to -5.

Step 5

Add a Color Lookup adjustment layer on top of all layers, choose the 3Strip.look table from the 3DLUT File menu, and change the layer’s Opacity to 35%.

Congratulations, You’re Done!

In this tutorial, we created a simple background and a couple of grouped text layers for the text letters we have.

Then, we created work paths for the letters, modified a simple brush tip, and stroked the work paths to create the main smoke effect.

After that, we styled the letters to enhance the smoke effect, warped them to get a more dynamic result, and added more smoke brushes for a more detailed outcome.

Finally, we added some textures and global adjustment layers to finish off the effect.

Please feel free to leave your comments, suggestions, and outcomes below.